Features

Slave to the Rhythm: Niven Howie

“I let the actors’ eye movements guide my cuts.  When an actor looks to someone else, I wait until they’ve looked, then cut to where they’re looking.  It’s a simple thing, but when it’s not done right, it feels very weird.” – Niven Howie […]

Features

Sounds Like the 1930s: The Mixing of ‘Public Enemies’

Re-recording mixers Kevin O’Connell and partner Beau Borders have been working tirelessly since last October on mixing Michael Mann’s period gangster crime drama Public Enemies. Mann’s passion for detail and authenticity has been the hallmark of the film’s sonic nuances, according to O’Connell. […]