Features

Jim Jarmusch sat down with CineMontage to discuss his long-term collaborative relationship with editor Jay Rabinowitz, their work on the new film and his rather unconventional approach to film editing.

Editor, Barry Alexander Brown was invaluable to Spike Lee and Mira Nair because he thought like a filmmaker and anticipated their decisions.

An interview with HBO documentary editor Geof Bartz

The Kinetophone was the ancestor of a steady line of emerging technologies-film, recording, reproduction and amplification-that through trial and error would converge to create the technology of optical, monaural sound.

CineMontage spoke to half a dozen editors working on this season’s leading episodic dramas, and reality shows to find out what their challenges are.

An interview with Robert Wise. Courtesy of Film Comment.

Thirty-five years ago, our colleagues at the prestigious film journal Film Comment in New York published a special 24-page section celebrating film editors — “Prime Cut” — which appeared in its March-April 1977 issue.

Editor Li-Shin Yu has become an expert on the American experience.

CineMontage spoke with Michael Kahn, in his editing bay in the Howard Hawks building at 20th Century Fox, about ‘Munich’, and his 30-year working relationship with Spielberg.