Features
Advice When Cutting Overseas
We spoke to several world-class cutters who provide some specific tips on how to make the experience of editing abroad as headache-free as possible.
Features
Features
‘WILLIAM FRIEDKIN: Films of Aberration, Obsession and Reality’ a review
Director William Friedkin, by virtue of ‘The Exorcist’ and ‘The French Connection’, was one of the pantheon of 70’s directors.
Features
Post-Production Keeps ’24’ Ticking Like Clockwork
’24’ is a sterling example of collaboration in action.
Features
George Lucas’ ‘Star Wars’ (1977)
I’m convinced that ‘Star Wars’ has caused more people to enter the film industry than any other motion picture in history. And I’m one of them.
Features
The Droid Olympics: When Editing was a Competitive Sport
The friendly spirit of camaraderie and community combined with an excitement about the art and craft of film, reached its epitome in the Droid Olympics.
Features
Elia Kazan’s ‘Splendor In The Grass’ (1961)
‘Splendor in the Grass’ is visually sensual.
Features
Hanley & Hill: Howard’s Editing Tag-Team
“Seamless” is the term supervising sound editor Chic Ciccolini uses to describe the working method of Hanley and Hill.
Features
Far and Away a Great Collaborator: Ron Howard Knows How to Treat His Crew
The same loyalty that they give him, Ron Howard gives back in trust, respect and collaboration.
Features
From the Golden Age to the Golden Years: James Blakeley & Rudy Freeman
James Blakeley, the legendary and highly respected film editor looks forward to driving 10 minutes to the office every work day; and he thoroughly enjoys editing film with 79-year-old Rudolpho (Rudy) Freeman.
Features
Post Modern Romance: Albert Brooks Played an Editor and Loves the Process
CineMontage asked him about his upcoming feature, Looking for ‘Comedy in the Muslim World’, as well as his involvement in the editing process and his working relationship with editor Anita Brandt Burgoyne.
