Behind the Scenes
How the Post Team of ‘Ferrari’ Worked Together to Bring an Auto Epic to Life
“One of the things we had to adapt very early on is the communication in the form of notes from Michael.”
Sound Editor
Features
IN MEMORIAM: Peter Berkos, Sound Effects Editor, 1922-2024
AUGUST 15, 1922 — JANUARY 2, 2024 A renaissance man. A gentleman. A portrait in dignity. This is how Academy […]
2024
Cut to Black: Did You Know? Willie D. Burton, Sound Mixer
This legend is an 8-time Oscar nominee for Best Sound, including this year’s “Oppenheimer,” who took home the statue twice.
Awards
OSCARS 2024: Nominees for Best Sound Speak Out on ‘Oppenheimer,’ ‘Zone of Interest,’ and More
By Mel Lambert The nominees in the Best Sound category at this year’s Academy Awards represent an array of […]
2024
Cut to Black: Dave Flynch, Supervising Sound Editor
He has an affinity for independent projects and whose mantra has been “be adaptable.”
In Memoriam
IN MEMORIAM: Maurice Schell, Supervising Sound Editor, 1937-2023
He spoke of going to see the Fellini film “La Strada” and staying to see it a second time. He had never seen a film like it and it affected him deeply.
Features
WHAT OUR MEMBERS DO: Ailin Gong, Sound Editor
“It’s a team effort, and together we bring stories to life, creating a memorable auditory experience for the audience.”
In Memoriam
IN MEMORIAM: Elisha Birnbaum, Sound One Owner and Career Mentor, 1931-2023
By Stav Birnbaum Elisha Birnbaum, a movie Foley artist turned owner of Sound One — the premier East Coast […]
Features
TECHNOLOGY: How Sound Crews Work Hard to Get the Right Levels on Theatrical Mixes
‘Wait a minute. It doesn’t sound like it did on the mixing stage.’
Web Exclusives
‘John Wick 4’ Post Team Talks About the Pleasures (and Sometimes the Pain) of the Action Hit
By Su Fang Tham With its entrancing medley of neon-drenched kinetic action, pulpy narrative, and a retro-cool mythological world, director […]
