By Rob Feld As a film-loving kid growing up in the Bronx, Queens, and Brooklyn, with no industry connections, a career in film seemed remote and unreal to Eric …
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By Peter Tonguette In what may have represented a television first (and last) in June of 1972, Alfred Hitchcock appeared on “The Dick Cavett Show” to expound on the …
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Features
The ‘Deli’: How the Editors Behind Hulu’s Cross-Cultural Series Broke Into the ‘Crimedy’ Genre
By Peter Tonguette The premise of the hit Hulu series “Deli Boys” could be the stuff of a tough-minded crime drama or gritty thriller. The show revolves around the …
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By Ivan Victor In live-action editing, each genre demands its own specialized skills. Maybe that’s landing a punchline with precision, constructing an action-packed montage, or drawing out emotion in …
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Cover StoryFeatures
The Last Resort: John M. Valerio on How ‘The White Lotus’ Serves Up a Mix of Sunshine and Dread
By A.J. Catoline Tuning into HBO’s “The White Lotus” is like checking into a luxury resort where every fruity cocktail is served up with a chaser of dread. The …
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FeaturesFrom The National Executive DirectorGuild
SCOTT GEORGE: At Mid-Year, Some Victories Point the Way to a Brighter Future
By Scott George When I stepped into this role at the end of January, I had already spent years working at Local 700 and knew something about our proud history …
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Q: Where are you currently employed? I currently work for Netflix. Q: Current projects? I ’m finishing up work on the “Man On Fire” series starring Yahya Abdul-Mateen II. Q: …
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“Talk to as many people as you can. It can feel awkward cold-emailing or asking someone to meet for coffee, but honestly, people in post-production are cooler and more welcoming …
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“The scene that I’m most proud of in the finale is Allison and Keri in the Map Room. It was an incredibly hard scene to edit.”
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We are going through a tough stretch. No one in Local 700 needs me to tell them that.
