Since its premiere 60 years ago in September 1948, ‘The Red Shoes’ has been a part of our lives and is the ‘Gone with the Wind’ of dance films. […]
It was editing that seduced me. To me, it was choreography, and I knew I had the instinct for it. […]
Dr. Strangelove was a confirmation of my growing belief about adults in positions of authority. […]
Director Jonathan Demme put his talented sound design and editing crew up to a Dogme 95-style challenge for his latest feature, Rachel Getting Married. […]
Foley was a name that stuck to the process, the location and the very special group of craftspeople who became, next to the physical actors, perhaps the most important performers in a motion picture. […]
Where do you go to find an ‘edit clinic?’ […]
Da Capo has given us ‘The B List’ with film critics’ picks and observations about “low-budget beauties, genre-bending mavericks and cult classics.” […]
CineMontage recently spoke to Kyle Gilman about working with Hal Hartley, as well as his experience as assistant editor on three 2008 features. […]
To help navigate through all the improvised sequences, Alpert extensively used Avid’s Script Tool, an older but still useful utility on a movie such as ‘Pineapple Express’. […]
‘Dr. T’ reveals––as few others of its era did––the dysfunctional cracks in the post-war little box subdivisions that exploded in the 1960s […]
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