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Home2008September

Month: September 2008

Book Reviews

Film Editing: The Art of the Expressive

September 16, 2008
‘Film Editing: The Art of the Expressive’ by Valerie Orpen is a highly theoretical examination of editing as an essential but greatly misunderstood aspect of motion picture production.

[…]

Features

They Make the Noises for the Talkies: Foley Artists are of Sound Mind and Body

September 10, 2008
What is a Foley artist? 41 years after its namesake’s death, Foley is among the last bastions of organic filmmaking––a cinematic art that is still relatively untouched by the digital revolution, and whose true origin belongs more to the Golden Age of radio than to the visual medium it so greatly enhances.

[…]

Features

Editing on the ‘Fringe’ New Series Offers More Storytelling Time

September 1, 2008
CineMontage recently sat down with the trio of Fringe editors––Jon Dudkowski, Tanya Swerling and Scott Vickrey, A.C.E.––to discuss their work.

[…]

This Quarter in Film History

This Quarter in Film History: The Angels Wanna Wear My ‘Red Shoes’

September 1, 2008
Since its premiere 60 years ago in September 1948, ‘The Red Shoes’ has been a part of our lives and is the ‘Gone with the Wind’ of dance films.

[…]

Union Made

Union Made: When an Artist Finds His Canvas

September 1, 2008
It was editing that seduced me. To me, it was choreography, and I knew I had the instinct for it.

[…]

Tail Pop

Stanley Kubrick’s ‘DR. STRANGELOVE’

September 1, 2008
Dr. Strangelove was a confirmation of my growing belief about adults in positions of authority.

[…]

Features

Demme Does Dogme: Sound Crew Overcomes Obstacles

September 1, 2008
Director Jonathan Demme put his talented sound design and editing crew up to a Dogme 95-style challenge for his latest feature, Rachel Getting Married.

[…]

Features

Foley: They Make the Noises for the Talkies

September 1, 2008
Foley was a name that stuck to the process, the location and the very special group of craftspeople who became, next to the physical actors, perhaps the most important performers in a motion picture.

[…]

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