Features
A Different View To a Kill
Cinemontage sits down with director, Marc Foster.
Year: 2008
This Quarter in Film History
A ‘Lion’ For All Seasons
‘The Lion in Winter’ is probably one of the few perennially popular films from 1968.
Getting Organized
Posting on Location?
If you’re working on distant location and the picture hires editorial personnel locally, please make sure to call it in to the Guild so we can make proper arrangements for our new members.
Tail Pop
Mexican Hayride
After dinner, one evening, Mom and Dad asked if I would like to work as a child extra in the new Bud Abbott and Lou Costello movie, Mexican Hayride.
Features
‘Twilight’s’ First Gleaming
Like the Undead that it depicts, the vampire movie never really expires––or even goes away. It just keeps resurrecting itself in new stories for another generation. This season’s blood-sucking entry, geared to teens and young adults, is Twilight
Features
Bond Memories
CineMontage talked to four editors of Bond past: John Glen, Terry Rawlings, A.C.E, Michel Arcand and Christian Wagner.
OP / EDIT
The Importance of a Helping Hand
A story of a personal experience I recently had with the Motion Picture Television Fund.
Book Reviews
Film Editing: The Art of the Expressive
‘Film Editing: The Art of the Expressive’ by Valerie Orpen is a highly theoretical examination of editing as an essential but greatly misunderstood aspect of motion picture production.
Features
They Make the Noises for the Talkies: Foley Artists are of Sound Mind and Body
What is a Foley artist? 41 years after its namesake’s death, Foley is among the last bastions of organic filmmaking––a cinematic art that is still relatively untouched by the digital revolution, and whose true origin belongs more to the Golden Age of radio than to the visual medium it so greatly enhances.
Features
Editing on the ‘Fringe’ New Series Offers More Storytelling Time
CineMontage recently sat down with the trio of Fringe editors––Jon Dudkowski, Tanya Swerling and Scott Vickrey, A.C.E.––to discuss their work.
