A Different View To a Kill
Cinemontage sits down with director, Marc Foster. […]
Cinemontage sits down with director, Marc Foster. […]
‘The Lion in Winter’ is probably one of the few perennially popular films from 1968. […]
If you’re working on distant location and the picture hires editorial personnel locally, please make sure to call it in to the Guild so we can make proper arrangements for our new members. […]
After dinner, one evening, Mom and Dad asked if I would like to work as a child extra in the new Bud Abbott and Lou Costello movie, Mexican Hayride. […]
Like the Undead that it depicts, the vampire movie never really expires––or even goes away. It just keeps resurrecting itself in new stories for another generation. This season’s blood-sucking entry, geared to teens and young adults, is Twilight […]
CineMontage talked to four editors of Bond past: John Glen, Terry Rawlings, A.C.E, Michel Arcand and Christian Wagner. […]
A story of a personal experience I recently had with the Motion Picture Television Fund. […]
‘Film Editing: The Art of the Expressive’ by Valerie Orpen is a highly theoretical examination of editing as an essential but greatly misunderstood aspect of motion picture production. […]
What is a Foley artist? 41 years after its namesake’s death, Foley is among the last bastions of organic filmmaking––a cinematic art that is still relatively untouched by the digital revolution, and whose true origin belongs more to the Golden Age of radio than to the visual medium it so greatly enhances. […]
CineMontage recently sat down with the trio of Fringe editors––Jon Dudkowski, Tanya Swerling and Scott Vickrey, A.C.E.––to discuss their work. […]
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