Union Made
UNION MADE: The Symmetry of an Editing Career
Production felt like endless problem solving––whereas editing was about storytelling using a vocabulary of images and sounds, and that excited me.
Year: 2008
Features
Three Independent Spirits: Discussion from NY Post Production Conference
Three veteran editors chosen to present and discuss their work at the 2007 New York Post Production Conference are associated with directors far removed from once traditional Hollywood career tracks.
Union Made
UINON MADE: A Sound Career Decision
With an electronics background in the Guard, I acquired a 1st Class FCC license in the hope that it might open a door to the industry––and it did!
Features
DEDE’S DEVOTEES: Some Words from Her Admirers
A compilation of praise for award winning editor, Dede Allen
Features
Recording Artists: One of the Oldest Sound Classifications Faces Uncertainty
Perhaps no other classification in the Guild is so caught in the middle between yesterday and tomorrow, with one foot in the analogue past and the other in the digital present, and a future that is still very much to be determined.
Features
Francis Ford Coppola & Walter Murch Reunite for ‘Youth Without Youth’
CineMontage recently spoke to Francis Ford Coppola and Walter Murch in separate interviews.
Tail Pop
Alex Cox’s ‘REPO MAN’ (1984)
It was 1984, and I walked out of the movie theatre electrified.
Book Reviews
The Unheard Magic
Some essential words are offered about cutting room etiquette and potential traps for the dialogue editor.
Features
Two Emotions at Once: A Novel Approach to Film Editing
An excerpt from Rachel Cline’s novel ‘My Liar.’
Features
‘Fringe’ First Responder Pilot Editor Russ Denove
Russ Denove spoke to CineMontage briefly and reflected on editing the ‘Fringe’ pilot.
