This year’s Oscar nominees for Best Editing explore the economic collapse of Wall Street in 2008 as a black comedy; return to an iconic post-apocalyptic world, as well as a …
-
-
Music Editor Ramiro Belgardt is no stranger to the Star Wars saga. He got in just in time to work on 2005’s Revenge of the Sith, the last of the …
-
Drone warfare “is not only topical, or even controversial; it’s something that many of us are ambivalent about.
-
This year’s Oscar nominees for Best Sound Editing transport us to three very distinct war zones (American Sniper, The Hobbit: The Battle of the Five Armies, Unbroken), take us for …
-
It’s not surprising that director Christopher Nolan drove the sound to a greater extent than ever before on his first space adventure, Interstellar, opening November 7 through Paramount Pictures. That’s …
-
What’s fascinating about ‘The CG Story’, therefore, is the realization that live action has become more like animation and vice-versa.
-
Greg Hayden was worried that the story might not be as interesting when the fantasies ended. But he was pleased when the opposite happened, and he worked diligently on maintaining …
-
“Before Sunrise was the second film I edited for Rick, and it was also the first film I ever cut on an Avid… I was confronted with the challenge of starting …
-
The first Foley artist to receive the Motion Picture Sound Editors’ (MPSE) Career Achievement Award, Foley artist John Roesch has contributed to over 400 movies in the last four decades, …
-
“There it was, ticking after 150 years, and we recorded it. We were able to use that during the few, brief moments where Lincoln was actually handling his watch.” – …
- 1
- 2
