Apprentice Editor

Robert Wise was always a hard worker–whether he was lugging film cans, syncing up reels of sound, looking for that one particular shot to make a scene play, staying on budget, getting the best performance from an actor or any of the myriad other jobs and positions he filled in his 72 years in the industry.

“Let the editor do his job and cut it first before you come in.” Michael BerenBaum’s advice for directors

Ken Burns has always acknowledged the large part Paul Barnes, his chief picture editor, has played in the smooth operation and artistic prominence of Florentine Films.

CineMontage learned of the editor’s appreciation for collaboration—be it with her mentors, directors or assistants.

by Robin Rowe One of the biggest challenges for assistant editor David Bilow––Joe Hutshing’s right-hand man––in the post-production work on Lions […]