Features
Sonic Synchronicity: Sound Editors Collaborate with Production Mixers
There are many instances when the partnership between these essential roles can bring an enhanced level of creativity to the final result.
Sound Editor
Features
The SFX Factor: Sound Editors and Re-recording Mixers Collaborate
Realizing a complex film or TV soundtrack takes a lot of care and attention, together with an advanced degree of collaboration between sound effects editors and re-recording mixers specializing in the same.
Features
Warg Howls, Dragon Purrs and White Walker Ice Cracks
Welcome to the Soundscape of Westeros
HBO’s highly popular Game of Thrones TV series has demonstrated that audiences will tune in regularly for well-fashioned drama that incorporates outstanding post-production.
Features
Sound Supervising ‘Battle of the Sexes’
In 1973, the tennis court became an unlikely showcase for the heated battle of feminists and their foes. Bobby Riggs, a top tennis player in the 1940s and showman extraordinaire, challenged top female tennis players to try to beat him on the court.
Features
A Conversation with Dede Allen
A fireside chat with Dede Allen.
Features
Sound Panel: Mark Mangini, Larry Blake, Michael Minkler and Myron Nettinga Pt. 1
In this conversation, re-recording mixers Larry Blake, Michael Minkler, and Myron Nettinga as well as supervising sound editor Mark Mangini, offer sharply differing views about the future of sound post production and why they work the way they do.
Features
Sound Panel: Mark Mangini, Larry Blake, Michael Minkler and Myron Nettinga Pt. 2
Sound editor and mixer Larry Blake, supervising sound editor Mark Mangini, and re-recording mixers Michael Minkler and Myron Nettinga talk frankly about the blending of sound mixing and sound editing.
Letters to the Editor
Sound Articles Ring a Bell with Readers
Letters regarding our articles on sound editing history as well as our political content.
Book Reviews
The Unheard Magic
Some essential words are offered about cutting room etiquette and potential traps for the dialogue editor.
Tail Pop
Peter Berkos
Sound effects have been Peter’s life.
