by Kurt Kassulke, CAS Growing up in Minnesota, I was the son of a doctor mom and stepdad, and a Minnesota Vikings dad. Music filled the house, especially every Sunday …
Sound Personnel
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IndustryWeb Exclusives
‘Sicario’ and ‘The Big Short’ Score Feature Wins at HPA Awards
10 minutes readOn a chilly Thursday evening in mid-November, the Hollywood Professional Association (HPA, formerly the Hollywood Post Alliance) celebrated the presentation of its 11th Annual HPA Awards at the Skirball Cultural …
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Features
Celebrating a Sonic Centennial: Everything You Wanted to Know About the History of Cinema Sound
by Betsy McLane16 minutes readHave you seen Laurel and Hardy do exactly the same skit in both a silent and a sound version? Was it actually the quality of John Gilbert’s voice that doomed …
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Metro-Goldwyn-Mayer’s film legacy is its musicals. Perhaps because it was the most politically conservative of the major studios, MGM was more comfortable with melodramas and musicals than with social issues.
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“Brando’s voice and presence serve as a memory bridge back to that time.” – Craig Berkey supervising sound editor/sound designer
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The public’s demand for feature-quality music in everything from reality shows to full-hour TV dramas–has turned the production music market into a half-billion-dollar-a-year intellectual property based business.
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It’s not only the “when” of ADR that is being re-examined, but also the “how” and “where.”
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