Have you seen Laurel and Hardy do exactly the same skit in both a silent and a sound version? Was it actually the quality of John Gilbert’s voice that doomed his career in the talkies? What beloved classic movie used Fantasound? Why did editors resist changing from optical to magnetic sound? […]
Metro-Goldwyn-Mayer’s film legacy is its musicals. Perhaps because it was the most politically conservative of the major studios, MGM was more comfortable with melodramas and musicals than with social issues. […]
“Brando’s voice and presence serve as a memory bridge back to that time.” – Craig Berkey supervising sound editor/sound designer […]
The public’s demand for feature-quality music in everything from reality shows to full-hour TV dramas–has turned the production music market into a half-billion-dollar-a-year intellectual property based business. […]
It’s not only the “when” of ADR that is being re-examined, but also the “how” and “where.” […]
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