Columns
Words Like Bullets: How ‘Sweet Smell’ Met with Success
Why ‘Sweet Smell’ Succeeded
Year: 2022
Columns
Fallout: How a Movie Lover Went From Counter-Terrorism to Storytelling
The author nearly took a job with the national security agency – until his love of storytelling took over
Features
Cathy Repola: Members Are Calling for Change. Here’s How We’re Answering.
Here’s How We Can Move Toward Change
Web Exclusives
Andy Jurgensen on the Challenges and Rewards of Editing ‘Licorice Pizza’
By Rob Feld While studying film at UC Santa Barbara, Andy Jurgensen quickly found editing to be the perfect blend […]
Features
Want to Edit Funnier? Let Roger Nygard Show You How
A new book explains how to approach comedy (Hint: Make it faster)
Web Exclusives
WHAT OUR MEMBERS DO: Reid Kimball, Assistant Editor
“My disability in a way makes me a better assistant editor because communication is so important to me.”
2022
Cut to Black: Vaughn Ross, Supervising Director
Supervising Director whose credits include “Star Wars – Clone Wars,” Rebels,” “Bad Batch,” Resistance” to name a few
2022
Cut to Black: Colin Taylor, Picture Editor
Editor whose proudest credits include “An Opry Salute to Ray Charles” and the 79th Annual Academy Award Nominee Packages
2022
Cut to Black: Libya El-Amin, Picture Editor
Picture Editor on the new series “Bust Down” on Peacock
2022
Cut to Black: Angela Latimer, Picture Editor
Picture Editor working on “Bel-Air,” the reimagining of the classic Will Smith sitcom, “Fresh Prince”
