2023
Cut to Black: Ralph Jean-Pierre, Picture Editor
Knowledge of computers was this Assistant Editor’s gateway to editing.
Committee News
2023
Cut to Black: Spenser Reich, Picture Editor
Inspired by the past, focused on the future
Committee News
Photo Developments: New Women’s Steering Committee Leaders Look to Future With ‘Picture Day’ Event
New WSC Co-chairs Diana Fishman and Aimee Jennings organized a long-planned “picture day” brunch for members to get together in Los Angeles for new professional headshots (photographed by fellow Guild member Kaylee Colton) and networking in a relaxing and supportive environment.
Committee News
MPEG Events Bring Visibility to Members of Pan Pacific Asian Community
In reading works by authors prior to commercial publication, story analyst Donna Choo has the opportunity to flag emerging or underrepresented voices who “just need time to develop” before having their pieces adapted for visual audiences. “I feel like I’m infiltrating in my own way,” she said.
2022
Cut to Black: Jouvens Exantus, Assistant Editor
Assistant Editor whose credits include “King Richard,” “Mindhunters” and “Love, Victor.”
2022
Cut to Black: James T. Saunders, Guild Staff Member
Esteemed Guild staff member following a varied life and career that included roles as Re-Recording, Foley and ADR Mixer
2022
Cut to Black: Terah “Bishop” Woodley II, Assistant Re-Recording Mixer
Assistant Re-recording Mixer whose credits include “Licorice Pizza,” “Don’t Look Up” and “Dark Web: Cicada 3301”
2022
Cut to Black: Vaughn Ross, Supervising Director
Supervising Director whose credits include “Star Wars – Clone Wars,” Rebels,” “Bad Batch,” Resistance” to name a few
2022
Cut to Black: Colin Taylor, Picture Editor
Editor whose proudest credits include “An Opry Salute to Ray Charles” and the 79th Annual Academy Award Nominee Packages
2022
Cut to Black: Libya El-Amin, Picture Editor
Picture Editor on the new series “Bust Down” on Peacock
