Web Exclusives
Emmys 2019: Foley Team Alyson Dee Moore and Chris Moriana Make the Right Noise on ‘Barry’ and ‘Star Trek: Discovery’
“This isn’t the real world … That’s our challenge, right?”
Year: 2019
Columns
Strictly Come Editing: How I Found a Career Through UK Reality Shows
The more I understood that there were people behind the camera as well as in front of it, the more I wanted to be a part of the industry.
Web Exclusives
Emmys 2019: How the Team Behind ‘Deadwood: The Movie’ Captured the Sounds of the Old West
“I wanted to make sure that we were hearing the right train, the right kind of Baldwin Locomotive.”
Web Exclusives
EditFest 2019: Here’s the Real Difference Between Cutting Scripted and Unscripted. (Hint: There Isn’t One.)
“There’s a misperception that if you cut scripted, you can’t cut reality.”
Web Exclusives
Time’s Up Takes on Latest Frontier in Battle Against Sexual Harassment and Inequality: Post-Production
“It puts the company on notice. They can’t deny that it occurred.”
OP / EDIT
OPINION: Our Wasteful Habits Are
Killing the Environment. Here’s How
Post-Production Can Help
As post-production workers, we need to realize that the issue of waste and its impact on the environment cuts close to home.
Web Exclusives
Emmys 2019: Laura Weinberg Unpacks the Editing in Netflix’s ‘Russian Doll’
“Comedy is very subjective, and it’s so hard to do.”
Departments
Going Mobile – A Look Under the Hood of HP’s ZBook Studio x360 Convertible
I have seen and reviewed many workstations over the years, including desktops and mobile computers. However, the HP ZBook Studio x360 immediately struck me as something special.
Features
Sound Editor Walt Bost Reveals His Process on ‘Veronica Mars,’ ‘Grace and Frankie’ and More
“It feels like the old Veronica, but a very adult Veronica…a darker, grown up Veronica,” Bost says.
Features
Larry Jordan and the Many Joys of Editing Marlon Wayans’ ‘Sextuplets’
“This was a huge volume of footage, making it one of the most challenging projects of my career,” says Jordan.
