Features

‘Wonder’ Woman

Over the past two decades, editor Alisa Lepselter, ACE, has worked on a range of films. Her credits include a caper set in the cookie business, a farce focused on a filmmaker afflicted with blindness, and a crime story populated by England’s upper classes. […]

Features

Deconstructing Woody

The year was 1976. The place was the New York brownstone of editor Ralph Rosenblum, ACE. And the film was Woody Allen’s Annie Hall, released the following year to wide acclaim and four Oscar wins. One day after work, Allen and Susan E. Morse, ACE — later his main editor, then an assistant editor — found themselves leaving the cutting room at about the same time. […]

Columns

Tom Foligno on ‘The Aviator’

In 2004, after spending a decade working with Martin Scorsese and Thelma Schoonmaker, ACE, assistant editor Tom Foligno finally got his first chance to be an editor. It wasn’t in the cutting room, however, but on the big screen. […]

Columns

Rick Alexander on ‘Ronin’

In 1998, when re-recording mixers Rick Alexander and Richard D. Rogers first met with director John Frankenheimer about working on “Ronin,” there were many subjects that could have been discussed. […]