In 2003, after sound editor, sound designer and re-recording mixer Ron Bochar, CAS, completed work on Mike Nichols’ miniseries Angels in America, he felt good about what he and his …

“My first thought was, ‘Oh God, this is perfect material for Francis — he’s going to do a fantastic job with this,” remembers editor Anne Goursaud, ACE, regarding Bram Stoker’s …

Beth Stiller is not a professional basketball player. She isn’t known for shooting from the three-point line or for scoring fast-break points. In fact, she prefers surfing to basketball. But, …

When colorist Mary Lee Parisi sits down with a show for the first time, she often focuses on the picture alone. “When you first get the tape, you kind of …

Like most Foley artists, Gregg Barbanell, MPSE, aims for his work to go undetected by audiences. After all, footsteps should sound like they are emanating from the shoes of the …

From early in her career in the film business, Jeannette Browning recognized that she was something of a rarity. “I was really interested in dubbing, but I realized that there …

You might say that Tommy Vicari, CAS, is the beneficiary of good timing. A few years after director Sam Mendes and composer Thomas Newman were the toast of the film …

While working at 20th Century Fox in the early 1990s, story analyst Christine Culler was assigned a steady diet of romantic comedies and children’s books. Then, in 1995, a different …

As a Foley artist, Nancy Parker, MPSE, is tasked with creating the sounds of major life events for characters on-screen. “I go to work and I may perform open-heart surgery, …

Millions may have seen ‘The Godfather,’ but, during its initial release, colorist Jan Yarbrough was not among them. Three decades after its release, however, he was given the opportunity to …