Apprentice Editor

Asked to reflect on his many career achievements and adventures while he’s sitting in his Los Angeles living room on a warm October afternoon, Oscar-winning editor Jerry Greenberg, ACE, briefly hesitates.

Editing in the world of Reality Television is nothing like editing scripted drama, comedy or MOWs in television. It’s not the craft that’s dissimilar; it’s the approach, terminology and producer structure.

Robert Wise’s quiet leadership was rooted in a seemingly easy going inner security, a palpable respect for others.

Since she discovered her passion for post-production while studying film at the University of California Santa Barbara, there was nothing up in the air about the career choice of Dana Glauberman, A.C.E.

Through several TV projects and five feature films, the relationship between editor Dan Lebental, A.C.E., and director Jon Favreau has evolved to the point where Lebental views himself as Favreau’s creative consultant when it comes to helping the director figure out exactly where his movies are going.

CineMontage interviewed the two editors as they were finishing work on ‘The Hangover Part III.’