
Doug Mountain Talks About Remastering Bruce Lee’s ‘Enter the Dragon’ for 50th Anniversary Release
By Mel Lambert With Dolby Atmos immersive playback now available in an increasing number of consumer environments, is it […]
By Mel Lambert With Dolby Atmos immersive playback now available in an increasing number of consumer environments, is it […]
“You never get used to receiving news of an Oscar nomination.” […]
The keynote panel addressed the topic of pivotal sound changes within the post community, including the rise of streaming services, emergent technologies and formats, plus evolution of the sound designer/re-recording mixer. […]
Here, we consider products from three of the leading developers of processor and plug-in design: Sound Particles, iZotope/Exponential Audio and Liquid Sonics. […]
During his introduction, ACE president Kevin Tent made pointed reference the Academy’s decision to pre-record the award presentations for eight craft awards, including film editing and sound. Tent called the decision “hurtful, insensitive and short-sighted,” with residual effects that will require bridge-building. […]
For the first time this year, the Academy has combined Sound Editing and Sound Mixing into one category, Best Achievement in Sound. […]
One critic has likened the film to director Ramón Menéndez’s “Stand and Deliver” (1988), in which a teacher successfully inspires his dropout-prone students to learn calculus. […]
by Mel Lambert “The editor of an unscripted documentary is always, by the nature of the task at hand, a […]
All of the Oscar-nominated editors appeared at a panel discussion during the American Cinema Editors’ 20th Annual “Invisible Art, Visible Artists” (IAVA) to talk about their films, their careers, and their craft. […]
“I’ve always wished someone would invent a device that I could put on my head and think about how the film should sound.” […]
©2016-2021 Motion Picture Editors Guild