Features
WHAT OUR MEMBERS DO: Ian Chase, Sound Editor/Re-Recording Mixer
Where are you currently employed? I work as a freelance sound editor and re-recording mixer in Burbank, Calif., but for […]
Interview
Features
In ‘American Fiction’, Picture Editor Hilda Rasula Made the Most of a Commanding Lead Performance
“It is a performance-driven film so there’s nothing to hide behind.” […]
Behind the Scenes
How the Post Team of ‘Ferrari’ Worked Together to Bring an Auto Epic to Life
“One of the things we had to adapt very early on is the communication in the form of notes from Michael.” […]
Behind the Scenes
Affonso Gonçalves Talks Editing Todd Haynes’ Drama ‘May December’
“I can’t pick sides. That’s the great thing about being an editor.” […]
Behind the Scenes
Thelma Schoonmaker Talks Editing Martin Scorsese’s ‘Killers of The Flower Moon’
“Marty never wants to repeat himself,” said Schoonmaker, the three-time Oscar-winning editor best known for her work with director Martin Scorsese on film classics such as “Raging Bull” and “Goodfellas.” “He gets a great new idea he wants to challenge himself with, and I’m being challenged with him,” she added. “There’s never any boredom.” Their latest challenge is the Apple-financed $200 million production, “Killers of the Flower Moon,” adapted by the writer Eric Roth and Scorsese from the 2016 non-fiction book by David Grann. […]
Features
Hollywood Ending: Alisa Lepselter Cut What May – or May Not – Be Woody Allen’s Last Film, ‘Coup de Chance’
“In making a film, it is key to have a first-rate cinematographer and a first-rate editor,” Allen said. […]
