A.J. Catoline, ACE won an Emmy for editing AppleTV+'s "Ted Lasso" and is an alumni of NYU Tisch School and USC Master of Professional Writing Program. He serves on the Board of Directors and chairs the MPEG Publications Committee. He lives in Los Angeles and is from Cape Cod, Mass. He can be reached at ajcatoline@gmail.com
“We did get a studio note saying that maybe, to avoid any confusion, we should put a location and date stamp when we go to each scene. I didn’t like this idea and fought against it.”
Tthe Board of Directors overwhelmingly approved in September the creation of the Local 700 Hardship Relief Fund, which is specifically intended to help Guild members who are struggling financially because of the industry’s recent downturn.
“The bulk of our members feel worried that their jobs will be impacted within the next three years by some form of emerging technology, artificial intelligence” as indicated in our local survey, said National Executive Director Cathy Repola. She hailed the creation of the Guild’s Emerging Technology Committee, created by the Board of Directors in 2022.
“I’ve watched the ‘Star Wars’ films in the past and recognize the famous characters, but didn’t know much beyond that. So coming into this big galaxy was both exciting and new to me.”
Even on the warm and idyllic shores of Oahu, IATSE convention-goers could not escape thoughts about a hotter summer of Hollywood labor unrest and a lack of jobs back home.
These thousands of post-production professionals logged on to hear National Executive Director Cathy Repola report on the ongoing IATSE Basic Agreement negotiations, which occur every three years and affect contracts in film and television. The turnout eclipsed the meeting during the last negotiation cycle in 2018 when about 2,100 members showed up in the ballroom of the Sheraton Universal.