“My job is to help make the editors’ day less hectic, so I assist them with graphics, sound work, and mostly technical problems that affect them. Sometimes an assistant editor gets the opportunity to edit a scene or two, but everything we do is to help the editor.” […]
When the audience first meets the grifter Tom Ripley in the eponymous new limited series drama, “Ripley,” he’s dragging a dead body down a long flight of stairs in the dark: clunk, clunk, clunk. The sinister moment draws us in — and somehow, seemingly makes us complicit in the crime. […]
“I do feel like I am an artist-editor, and I found my medium in college.” […]
By Kristin Marguerite Doidge The human element of the hit Netflix sci-fi thriller, “3 Body Problem,” is what helped […]
By Rob Feld Amelia Allwarden’s journey into film editing began with a childhood fascination with storytelling. “Ever since I […]
By Patrick Z. McGavin Susana Benaim has built an impressively varied career. Upon arriving in Hollywood, the Venezuelan-born picture […]
The popular Netflix social media competition series was previously being shot and edited in the U.K., but recently came to the U.S. for seasons six and seven (the latter yet to be aired) under an IATSE contract – a huge win for the talented team of editors working on the show. […]
“The episodes really came together in the edit. The two of them made that process really fun from beginning to end by taking risks, trying things, and crafting moments that weren’t necessarily obvious on the page.”
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Helping make the mystery—and the wit—come to life are supervising sound editors Mathew Waters and Danika Benton Wikke. […]
By Kristin Marguerite Doidge The critically-acclaimed AppleTV+ series “Masters of the Air” features compelling performances from each of its […]
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