Features
Mick Audsley Unlocks the Chamber of Secrets behind ‘Goblet of Fire’
Harry must grapple with a giant, fire-breathing Hungarian Horntail dragon and battle underwater demons in the Black Lake. Post-production was no less daunting. […]
Year: 2005
Features
Editing For Entertainment Value: Geof Bartz Discusses HBO’s Documentaries
An interview with HBO documentary editor Geof Bartz […]
Features
Canned Music Production Libraries for TV Are Now Calling the Tune
The public’s demand for feature-quality music in everything from reality shows to full-hour TV dramas–has turned the production music market into a half-billion-dollar-a-year intellectual property based business. […]
Features
When Movies Learned to Talk: A Brief History of Sound in Early Motion Pictures
The Kinetophone was the ancestor of a steady line of emerging technologies-film, recording, reproduction and amplification-that through trial and error would converge to create the technology of optical, monaural sound. […]
Features
THE E-RING: TV Editors Panel Discuss the Realities of the New Fall Season
CineMontage spoke to half a dozen editors working on this season’s leading episodic dramas, and reality shows to find out what their challenges are. […]
Features
Post Codes from the Edge: Canadian Doc Celebrates Art of Editing
Despite its “below-the-line” status, the craft of editing is emerging to claim its recognition as an essential role in the creation of the motion picture. […]
Features
Hollywood’s Renaissance Man
Robert Wise was truly a renaissance man of filmmaking. […]
Features
An Editor’s Director—Nonpareil
Robert Wise’s quiet leadership was rooted in a seemingly easy going inner security, a palpable respect for others. […]
Features
Wise, Beyond His Years: Remembering Robert Wise
Robert Wise was always a hard worker–whether he was lugging film cans, syncing up reels of sound, looking for that one particular shot to make a scene play, staying on budget, getting the best performance from an actor or any of the myriad other jobs and positions he filled in his 72 years in the industry. […]
Tail Pop
Howard Hawks’ ‘Rio Bravo'(1959)
By consuming the wine and wafer, we vicariously channel the divinity of Christ, and, by watching ‘Rio Bravo’, I was vicariously channeling the courage of John Wayne. […]
