The John Ford film proved just as inspirational, and true to the “This Land Is Your Land” philosophy of Guthrie. It is still considered one of the great works of art in international cinema. […]
“Hugh Hudson is a brilliant and underrated director, but very difficult to work with. He didn’t cooperate with the studios; he was cutting out the stuff they wanted in and vice versa.”-Anne V. Coates […]
“I try to cut every film I do with a fresh eye; I don’t go with a pattern or anything. I just read it, assimilate it and cut it.” – Anne V. Coates […]
When London was readying The Pacific’s post-production workflow in 2007, he participated in two key decisions—to shoot the miniseries on film rather than acquiring it on emerging file-based systems, and to edit simultaneously with production in Australia, bringing along three editors. […]
“Sometimes, hearing another editor comment on your work in an open forum and having him tell you he sees a problem and how he thinks it should be fixed, can be a little uncomfortable, but it was all for the greater good. The bottom line is that the entire miniseries improved greatly after that.” […]
The challenge with NCIS from a sound editorial perspective, according to Schorer, is the relentless amount of detail. […]
In a perfect world, what would be the Best Picture of 2009? […]
Flyers (or websites or e-mails) don’t really organize anybody. The actual act of organizing, is a face-to-face thing. […]
I am still passionately involved—working with clients who require cost-effective methods of designing post-production facilities, recording studios, acoustics and home theatres internationally and am proud to be part of this strenuous but great business. […]
‘The Royal Tenenbaums’ is a dark and redemptive tragicomedy of a “family of geniuses.” […]
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