When the audience first meets the grifter Tom Ripley in the eponymous new limited series drama, “Ripley,” he’s dragging a dead body down a long flight of stairs in the dark: clunk, clunk, clunk. The sinister moment draws us in — and somehow, seemingly makes us complicit in the crime. […]
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Now, all these months later, we have new contracts overwhelmingly ratified by members, which I am confident will improve pay and working conditions for our union members. More than 76% of Local 700 members voted, and of those, 92% voted to ratify the new contract. […]
By Guild Staff The Editors Guild has received a $200,000 anonymous donation to its Hardship Fund, a boost that is […]
By Kristin Marguerite Doidge The human element of the hit Netflix sci-fi thriller, “3 Body Problem,” is what helped […]
By Rob Feld Amelia Allwarden’s journey into film editing began with a childhood fascination with storytelling. “Ever since I […]
Repola has worked 32 years for the Editors Guild and has served in her current role since 2016. […]
By Patrick Z. McGavin Susana Benaim has built an impressively varied career. Upon arriving in Hollywood, the Venezuelan-born picture […]
“In my opinion, it’s a three-dimensional career.” […]
The popular Netflix social media competition series was previously being shot and edited in the U.K., but recently came to the U.S. for seasons six and seven (the latter yet to be aired) under an IATSE contract – a huge win for the talented team of editors working on the show. […]
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