Awards
2024 IA/VA: ACE Panel Highlights ‘Oppenheimer,’ ‘The Holdovers,’ Other Best Editing Oscar Nominees
“I love it when I get into this groove and I can’t believe a half hour has gone by and I’ve just been cutting things.” […]
Year: 2024
Features
WHAT OUR MEMBERS DO: Ian Chase, Sound Editor/Re-Recording Mixer
Where are you currently employed? I work as a freelance sound editor and re-recording mixer in Burbank, Calif., but for […]
Features
In ‘American Fiction’, Picture Editor Hilda Rasula Made the Most of a Commanding Lead Performance
“It is a performance-driven film so there’s nothing to hide behind.” […]
Behind the Scenes
How the Post Team of ‘Ferrari’ Worked Together to Bring an Auto Epic to Life
“One of the things we had to adapt very early on is the communication in the form of notes from Michael.” […]
Awards
2024 ACE Eddie Awards: ‘Holdovers,’ ‘Oppenheimer,’ ‘Taylor Swift: Eras,’ ‘The Bear’ and ‘Beef’
by Kristin Marguerite Doidge Sunday’s 74th Annual ACE Eddie Awards, presented by American Cinema Editors (ACE), brought together […]
Guild
Members Weigh Concerns of Work Slowdown, MPI Funding, AI Future at Local 700 Town Hall
“The bulk of our members feel worried that their jobs will be impacted within the next three years by some form of emerging technology, artificial intelligence” as indicated in our local survey, said National Executive Director Cathy Repola. She hailed the creation of the Guild’s Emerging Technology Committee, created by the Board of Directors in 2022. […]
2024
Cut to Black: Did You Know? Louise Meriwether, Story Analyst
Hollywood’s First Black Story Analyst […]
Cover Story
Jedi Masters: Editors of ‘Ahsoka’ Raise Their Lightsabers to the Latest Chapter of ‘Star Wars’ Mythology
“I’ve watched the ‘Star Wars’ films in the past and recognize the famous characters, but didn’t know much beyond that. So coming into this big galaxy was both exciting and new to me.” […]
2024
Cut to Black: Emanuel “Manny” Shaw, Assistant Editor
He strives to be magnificent! […]
Behind the Scenes
Kevin Tent Explains the Editing Process Behind Alexander Payne’s ‘The Holdovers’
“The Holdovers,” set over Christmas vacation in 1970 at a New England boarding school for boys, is the bittersweet portrait of complicated relationships among a grumpy teacher with a troubled past (Paul Giamatti), his callow student (Dominic Sessa) and a long-suffering dining-hall cook (Da’Vine Joy Randolph). Tent talked about editing for tone, tempo and rhythm, as well as his efforts on behalf of picture editors as the president of ACE. […]
