I recently took a CPR class at the Editors Guild offices in LA, which was organized through The Wellness Program. I felt compelled to take the class after a colleague saved the life of our color timer after he had a heart attack during a meeting on “Dunkirk.” […]
Giving credit to John Stephens for the development of a portable, 59-pound, battery-operated 8-track machine. […]
Thanks for the wonderful article on my friend Monty DeGraff (“Monty the Mentor,” ‘CineMontage’ Q1 2018). Lynne and Monty have been a part of my wife’s and my circle of friends for 20 years — sharing many dinners, talking shop and generally enjoying each other’s company. […]
The Fog of War Moviemaking Peter Tonguette’s My Most Memorable Film column, “Walter Murch on Apocalypse Now” (CineMontage Q1 2016), […]
My few forays into non-feature editing were no less challenging. But they paid less money. […]
After the publication of my article, “Automatic for the People,” in the last issue of CineMontage (Q1 2017), I received […]
A letter from Ray Daniels’ long time friend, Stuart Hersh […]
Good analysts know that stepping outside of themselves to examine a script from a different point-of-view is key in writing a complete analysis of the potential project. […]
Robert Wise’s memories were remarkably precise and full of stories about editing ‘Citizen Kane’. […]
Letters from our readers regarding the ‘Moviola Mavens’, 1930’s editing, and documentary editing. […]
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