The story of robots that can metamorphose from ordinary-looking machines into intelligent, mechanical, biped creatures has gone through many transformations itself. […]
The Simpsons Movie will not feel like most animated films of recent years, what with its 2-D production and an almost minimalist soundscape. […]
Director Jonathan Demme put his talented sound design and editing crew up to a Dogme 95-style challenge for his latest feature, Rachel Getting Married. […]
Childhood fans of Speed Racer, the 1960s Japanese anime series, the brothers have translated it to the big screen with loving care. […]
C5’s 20-year history as one of the top houses for feature film post in the city continues to grow. […]
Mixing teams work best when the chemistry is good, the working style is compatible and the size of the job calls for a team approach. […]
While overseeing the mix of The Last Airbender at Skywalker Sound in San Rafael, California, Buff found the time to speak to CineMontage about his current project, discussing some of the challenges on the film, his experience working with Shyamalan, and his philosophy of picture editing. […]
“3-D doesn’t have to be things constantly flying in your face. If you feel like you’re immersed within this space in front of you and interacting with this fantasy world, that’s the perfect cinema.” – Niven Howie […]
The prevailing wisdom within Hollywood seems to be that a successful franchise needs a fresh start every few years to ensure a contemporary perspective and, hence, appeal to a newer generation of filmgoers for whom previous versions may seem passé. […]
“There it was, ticking after 150 years, and we recorded it. We were able to use that during the few, brief moments where Lincoln was actually handling his watch.” – Ben Burtt […]
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