Features
Post-Production Does the Heavy Lifting on Superman Returns
‘Superman Returns’ is a heroic feat in digital filmmaking.
Features
Features
Secrets of a Film School Student Turned Editing Teacher
It wasn’t until I sat down with my footage that I truly learned about the art of editing.
Features
Cutting with a Conscience: Richard Chew
CineMontage spoke with Richard Chew as he was putting the finishing touches on ‘Bobby.’
Features
Nancy Richardson’s UCLA Film Course Is a Real-World Learning Experience
For four Monday evenings over a dozen UCLA film students crowded into the editing and color timing bays at a post-production facility in Hollywood. There, they got real-life experience of shepherding a short film
Features
Minority Rapport: Guild’s New York Office Holds Open House for City’s Film Students
The Motion Picture Editors Guild’s East Coast office is developing educational opportunities for the untapped pool of talent in the city’s minority population.
Features
Editing ‘Transformers’: Michael Bay’s Rock ’em Sock ’em Blockbuster
The story of robots that can metamorphose from ordinary-looking machines into intelligent, mechanical, biped creatures has gone through many transformations itself.
Features
Mmmm… Popcorn: ‘The Simpsons’ Goes to the Movies
The Simpsons Movie will not feel like most animated films of recent years, what with its 2-D production and an almost minimalist soundscape.
Features
Demme Does Dogme: Sound Crew Overcomes Obstacles
Director Jonathan Demme put his talented sound design and editing crew up to a Dogme 95-style challenge for his latest feature, Rachel Getting Married.
Features
Speed Racer’s Post Pit Crew: Zach Staenberg and Roger Barton
Childhood fans of Speed Racer, the 1960s Japanese anime series, the brothers have translated it to the big screen with loving care.
Features
C5 Kicks Out the Jams At Its State-of-the-Art House of Sound
C5’s 20-year history as one of the top houses for feature film post in the city continues to grow.
