Features
Jonathan Lucas Unveils His Editing Secrets on ‘Corpse Bride,’
Technologically, this is a movie of many firsts.
Features
Features
Sounds Independent: New York Mixers and Editors Work with New Filmmakers
For post sound professionals an independent film is defined largely by little more than faith in their own creative abilities and a desire to help clients.
Features
Method Man: Jay Rabinowitz Finds that the Film Tells Him How to Edit It
One of the joys of working in theatrical professions is the episodic nature one’s life can take, Editor Jay Rabinowitz, ACE, is one who has had this experience in spades.
Features
Mick Audsley Unlocks the Chamber of Secrets behind ‘Goblet of Fire’
Harry must grapple with a giant, fire-breathing Hungarian Horntail dragon and battle underwater demons in the Black Lake. Post-production was no less daunting.
Features
Digital Dreamcatcher: ‘Droidmaker’ Chronicles the Early Years of Lucasfilm
Droidmaker takes the reader inside the early years of Lucasfilm’s computer division. George Lucas foresaw a time when film would be replaced by a digital, high-resolution alternative that was neither film nor video.
Features
The Moviola Mavens: Three Pioneering Women Editors
During the Golden Age of Hollywood, Louis B. Mayer, Darryl F. Zanuck and Cecil B. De Mille were powerful enough to determine who would work in the American film industry.
Features
Editor & Cinematographer: Steve Mirkovich and Allen Daviau (Part 1)
Steve Mirkovich and Allen Daviau talk about problems with previews and video dailies, the longevity of 35mm film, changes in editorial styles and more.
Features
Altman’s Sound Theory
“Sound has been a very important element in my work. Consequently, it’s something I’ve always paid a lot of attention to.” – Robert Altman
Features
Video Spawned the Editing Star: What Hath MTV Wrought?
Has MTV reinvented or hobbled the art and craft of editing?
Features
Cut and Run: Where MTV Editing Got Its Chops
A zippier editing style has achieved institutional status, through MTV
