Web Exclusives -

Local 700 Taps Scott George As New National Executive Director

November 21, 2024

by Guild Staff The Board of Directors of the Motion Picture Editors Guild, Local 700 of IATSE, has voted to […]

Hit That Note: Sofía Subercaseaux on Editing Angelina Jolie in ‘Maria’

November 18, 2024

“You can’t do a movie about Maria Callas without using her real voice. It’s not like a rock or pop biopic where you can match the pitch.” […]

WHAT OUR MEMBERS DO: Anthony Cappellino, Sound Editor

October 1, 2024

“It can be scary to think about the state of the industry and the livelihood of the professionals in it, but my instinct has always been to lean on the community and to have solidarity in the face of that uncertainty.” […]

Jesse Goldsmith on Editing Time (a Lot of It) and Space in Robert Zemeckis’ ‘Here’

November 15, 2024

“When the movie was originally described to me before I read the script, it sounded like it was almost going to be in a single shot.” […]

Cutting Through the Noise: How Toj Mora and Other Deaf Editors Are Giving Hollywood a New Lens

September 26, 2024

“People have a misconception about what Deafness is and are afraid to ask about it. Don’t assume that I can or cannot do something. Ask and I’ll tell you.” […]

WHAT OUR MEMBERS DO: Paul Hackner, Z-2 (Sound Effects or Dialogue Editor)/ Y-1 (Re-Recording Mixer)

November 4, 2024

“My main advice is to form bonds with your colleagues and mentors. Ask questions, stay in touch, and be vulnerable.” […]

‘Presumed Innocent’ Editor Eleanor Infante On Trailers, Work Relationships and Listening Skills

September 10, 2024

The biggest lesson is to listen. Really listen to what people are saying—whether it’s the director, the producer, or even the audience. You have to be open-minded about your work and not get defensive. […]