Web Exclusives -

David Jancsó Talks Editing ‘The Brutalist’ and Working with Actor-Directors

December 26, 2024

By Rob Feld David Jancsó’s path to becoming a film editor seems both inevitable and serendipitous. Born and raised […]

Jesse Goldsmith on Editing Time (a Lot of It) and Space in Robert Zemeckis’ ‘Here’

November 15, 2024

“When the movie was originally described to me before I read the script, it sounded like it was almost going to be in a single shot.” […]

WHAT OUR MEMBERS DO: Paul Hackner, Z-2 (Sound Effects or Dialogue Editor)/ Y-1 (Re-Recording Mixer)

November 4, 2024

“My main advice is to form bonds with your colleagues and mentors. Ask questions, stay in touch, and be vulnerable.” […]

Putting the Puzzle Together: The Editing Journey of ‘Unfrosted’ Editor Evan Henke

October 30, 2024

By Rob Feld Evan Henke has always had that fascination with a certain art form. “Ever since I was […]

Nick Emerson Talks Editing Ralph Fiennes in Papal Drama ‘Conclave’

December 23, 2024

“When I read the script, I loved it—it was a thriller with something to say, offering a peek behind the curtain of this fascinating institution. I was immediately drawn in.” […]

Adam Gough: ‘Disclaimer’ Editor Speaks Out on Alfonso Cuarón’s Latest Opus

December 19, 2024

“We did get a studio note saying that maybe, to avoid any confusion, we should put a location and date stamp when we go to each scene. I didn’t like this idea and fought against it.” […]