Web Exclusives -

‘Tell Me Lies’: Picture Editor Julie Cohen on Finding the Right Cuts for the Twisted Romance

October 7, 2024

“I do feel like I am an artist-editor, and I found my medium in college.” […]

Celia Beasley on Finding the Right Edits for Netflix Wilderness Drama ‘Penelope’

November 27, 2024

By Patrick Z McGavin The French-American picture editor Celia Beasley is a rebel who likes to cut against […]

Local 700 Taps Scott George As New National Executive Director

November 21, 2024

by Guild Staff The Board of Directors of the Motion Picture Editors Guild, Local 700 of IATSE, has voted to […]

Hit That Note: Sofía Subercaseaux on Editing Angelina Jolie in ‘Maria’

November 18, 2024

“You can’t do a movie about Maria Callas without using her real voice. It’s not like a rock or pop biopic where you can match the pitch.” […]

WHAT OUR MEMBERS DO: Anthony Cappellino, Sound Editor

October 1, 2024

“It can be scary to think about the state of the industry and the livelihood of the professionals in it, but my instinct has always been to lean on the community and to have solidarity in the face of that uncertainty.” […]

Cutting Through the Noise: How Toj Mora and Other Deaf Editors Are Giving Hollywood a New Lens

September 26, 2024

“People have a misconception about what Deafness is and are afraid to ask about it. Don’t assume that I can or cannot do something. Ask and I’ll tell you.” […]

‘Presumed Innocent’ Editor Eleanor Infante On Trailers, Work Relationships and Listening Skills

September 10, 2024

The biggest lesson is to listen. Really listen to what people are saying—whether it’s the director, the producer, or even the audience. You have to be open-minded about your work and not get defensive. […]