Web Exclusives
WHAT OUR MEMBERS DO: Sheri Eisenberg, Colorist
“Being part of a union matters. We, as a creative force, matter.” […]
Web Exclusives
Web Exclusives
Post-Production Workers at Nickelodeon Animation Unanimously Ratify Contract
The Nickelodeon post-production workers not only saw increases and improvements to their sick days, overtime, rest periods, paid time off, and dismissal pay, but many will now see substantial raises ranging from 9% to as high as 70% over the next year. […]
Guild
IATSE District 2 Convention Finds Solidarity – and Lively Debate – on the Shores of Hawaii
Even on the warm and idyllic shores of Oahu, IATSE convention-goers could not escape thoughts about a hotter summer of Hollywood labor unrest and a lack of jobs back home. […]
Guild
Board Member Shiran Carolyn Amir Wins Grand Prize in Union Plus Campaign, Pledges Money to Help Union Kin
By Guild and IATSE staff Shiran Carolyn Amir, ACE, a Local 700 Board member, found a creative way to help […]
Guild
IATSE Women’s Committees Aim to Help Parents with Neurodiverse Children
A panel of clinicians, special education advocates and psychologists shared valuable insights with more than 70 participants who joined the two-hour discussion on how parents can best navigate the various support systems when it comes to raising children with autism spectrum disorder and other neurodiversities. […]
Guild
Cathy Repola Talks Return to MPIPHP Board
By A.J. Catoline Cathy Repola, National Executive Director of Motion Picture Editors Guild, recently announced to Local […]
Web Exclusives
Picture Editors of ‘Fatal Attraction’ on Updating a Classic Thriller for Modern Times
“Here was this grand opportunity to work with a majority female crew in terms of the top positions: majority female directors, a female showrunner, and majority women in post.” […]
Web Exclusives
Three-Time Emmy Nominee Angel Gamboa Bryant On Editing Comedy for Wanda Sykes, Mel Brooks
By Kristin Marguerite Doidge Growing up as a first-generation Mexican-American, Angel Gamboa Bryant thought she might have a career […]
Web Exclusives
‘Extremely Demanding’: William Friedkin’s Editors Remember the Oscar-Winning Director
“He didn’t like cuts being in predictable places. In other words, one of the things that you often strive for in editing is to make the editing disappear: somebody finishes the line and the next person speaks, and you cut to it right away. Billy was always most interested in making unpredictable cuts that, in his mind, were better.” […]
Web Exclusives
Doug Mountain Talks About Remastering Bruce Lee’s ‘Enter the Dragon’ for 50th Anniversary Release
By Mel Lambert With Dolby Atmos immersive playback now available in an increasing number of consumer environments, is it […]
