Film -

“After the first day of shooting in Poland, Jesse called me in a panic, saying, ‘I can’t watch myself—I’m terrible. Everything’s terrible.'” […]

By Peter Tonguette Daffy Duck and Porky Pig might not sound like the calmest, most congenial, or most coherent […]

“The world changed so much in 1964 and ‘65. We acknowledge that, with the music, and what’s happening on the street.” […]

By Kristin Marguerite Doidge When making “Wicked,” the filmmakers wanted to be sure audiences saw — and heard — the […]

By Peter Tonguette Picture editor Tia Nolan, ACE, knows comedy. Nolan was introduced to the craft of cutting comedies […]

“The most important advice that I would give and have gotten is [to] watch movies.” […]

‘It’s a classic sports drama, but what makes it special are the place and the people.’ […]

By Patrick Z. McGavin The creative pairing of the London-born picture editor Louise Ford and the independent filmmaker […]

“When Ridley comes to the cutting room he wants to be surprised and relieved and enjoy the experience of viewing the film with fresh eyes.” […]

“I did not come to Los Angeles to pursue editing; I initially wanted to be a comedy writer.” […]