Featured Stories
‘I Made Him Watch It’: Robert Nassau Explains the Edits on ‘A Real Pain’
“After the first day of shooting in Poland, Jesse called me in a panic, saying, ‘I can’t watch myself—I’m terrible. Everything’s terrible.'” […]
Film
Web Exclusives
Swords and Avids: Claire Simpson and Sam Restivo Tell All on ‘Gladiator II’ Edits
“When Ridley comes to the cutting room he wants to be surprised and relieved and enjoy the experience of viewing the film with fresh eyes.” […]
Web Exclusives
WHAT OUR MEMBERS DO: Josh Glass, Animatic Editor
“I did not come to Los Angeles to pursue editing; I initially wanted to be a comedy writer.” […]
Web Exclusives
David Jancsó Talks Editing ‘The Brutalist’ and Working with Actor-Directors
By Rob Feld David Jancsó’s path to becoming a film editor seems both inevitable and serendipitous. Born and raised […]
Featured Stories
‘One of Them Days’: Editor Tia Nolan Unpacks All the Cuts in Lawrence Lamont’s Sleeper Hit
By Peter Tonguette Picture editor Tia Nolan, ACE, knows comedy. Nolan was introduced to the craft of cutting comedies […]
Tail Pop
TAIL POP: ‘Do the Right Thing’ was Raw, Funny — and Sometimes Scary
‘I couldn’t deal with what I was seeing. I felt betrayed.’ […]
Web Exclusives
Nick Emerson Talks Editing Ralph Fiennes in Papal Drama ‘Conclave’
“When I read the script, I loved it—it was a thriller with something to say, offering a peek behind the curtain of this fascinating institution. I was immediately drawn in.” […]
Featured Stories
Jump Shot: Jessica Baclesse on Finding the Heart in Basketball Drama ‘Rez Ball’
‘It’s a classic sports drama, but what makes it special are the place and the people.’ […]
Featured Stories
Modern Gothic: Louise Ford Talks Editing on Robert Eggers’ ‘Nosferatu’ Remake
By Patrick Z. McGavin The creative pairing of the London-born picture editor Louise Ford and the independent filmmaker […]
Web Exclusives
Hit That Note: Sofía Subercaseaux on Editing Angelina Jolie in ‘Maria’
“You can’t do a movie about Maria Callas without using her real voice. It’s not like a rock or pop biopic where you can match the pitch.” […]
