“When Ridley comes to the cutting room he wants to be surprised and relieved and enjoy the experience of viewing the film with fresh eyes.” […]
“You can’t do a movie about Maria Callas without using her real voice. It’s not like a rock or pop biopic where you can match the pitch.” […]
“I did not come to Los Angeles to pursue editing; I initially wanted to be a comedy writer.” […]
By Rob Feld David Jancsó’s path to becoming a film editor seems both inevitable and serendipitous. Born and raised […]
“When the movie was originally described to me before I read the script, it sounded like it was almost going to be in a single shot.” […]
By Rob Feld Evan Henke has always had that fascination with a certain art form. “Ever since I was […]
“When I read the script, I loved it—it was a thriller with something to say, offering a peek behind the curtain of this fascinating institution. I was immediately drawn in.” […]
‘That was a huge lesson for me—realizing that audiences really don’t need everything spelled out.’ […]
By Rob Feld For Jamie Kirkpatrick, ACE, the path to editing began in the Midwest, where, as an only […]
“Doug wanted to make what he called a ‘grounded popcorn action movie,'” said picture editor Doc Crotzer, ACE. […]
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