Featured Stories
David Jancsó Talks Editing ‘The Brutalist’ and Working with Actor-Directors
By Rob Feld David Jancsó’s path to becoming a film editor seems both inevitable and serendipitous. Born and raised […]
Film
Web Exclusives
Jesse Goldsmith on Editing Time (a Lot of It) and Space in Robert Zemeckis’ ‘Here’
“When the movie was originally described to me before I read the script, it sounded like it was almost going to be in a single shot.” […]
Web Exclusives
Putting the Puzzle Together: The Editing Journey of ‘Unfrosted’ Editor Evan Henke
By Rob Feld Evan Henke has always had that fascination with a certain art form. “Ever since I was […]
Featured Stories
Nick Emerson Talks Editing Ralph Fiennes in Papal Drama ‘Conclave’
“When I read the script, I loved it—it was a thriller with something to say, offering a peek behind the curtain of this fascinating institution. I was immediately drawn in.” […]
Web Exclusives
‘Beetlejuice Beetlejuice’: Jay Prychidny on Editing in Tim Burton’s World
‘That was a huge lesson for me—realizing that audiences really don’t need everything spelled out.’ […]
Featured Stories
Hit That Note: Sofía Subercaseaux on Editing Angelina Jolie in ‘Maria’
“You can’t do a movie about Maria Callas without using her real voice. It’s not like a rock or pop biopic where you can match the pitch.” […]
Web Exclusives
Jamie Kirkpatrick, ‘Greedy People’ Editor, Talks Mentorship, Spielberg, and More
By Rob Feld For Jamie Kirkpatrick, ACE, the path to editing began in the Midwest, where, as an only […]
Web Exclusives
Doc Crotzer and Paul Hsu Tell the Post Secrets Behind the ‘Road House’ Remake
“Doug wanted to make what he called a ‘grounded popcorn action movie,'” said picture editor Doc Crotzer, ACE. […]
Features
A Brilliant Career: How William Goldenberg Became a Go-To Editor for Ben Affleck and Many Other Directors
Goldenberg’s C.V. covers a long list of projects, ranging from big-budget actioners like “6 Underground” (2019) and Michael Bay’s “Transformers” films to quieter dramas like “Unbroken” (2014) and “Seabiscuit” (2003). […]
Technology
Just Unreal: How Virtual Production Is Upending Filmmaking – And Opening Up New Creative Vistas
“You can’t just show up with backgrounds that a visual effects studio built, put the actors in front of it, and think you’re going to shoot it.” […]
