Featured Stories
David Jancsó Talks Editing ‘The Brutalist’ and Working with Actor-Directors
By Rob Feld David Jancsó’s path to becoming a film editor seems both inevitable and serendipitous. Born and raised […]
Picture Editors
Web Exclusives
Jesse Goldsmith on Editing Time (a Lot of It) and Space in Robert Zemeckis’ ‘Here’
“When the movie was originally described to me before I read the script, it sounded like it was almost going to be in a single shot.” […]
Web Exclusives
Putting the Puzzle Together: The Editing Journey of ‘Unfrosted’ Editor Evan Henke
By Rob Feld Evan Henke has always had that fascination with a certain art form. “Ever since I was […]
Featured Stories
Nick Emerson Talks Editing Ralph Fiennes in Papal Drama ‘Conclave’
“When I read the script, I loved it—it was a thriller with something to say, offering a peek behind the curtain of this fascinating institution. I was immediately drawn in.” […]
Featured Stories
Adam Gough: ‘Disclaimer’ Editor Speaks Out on Alfonso Cuarón’s Latest Opus
“We did get a studio note saying that maybe, to avoid any confusion, we should put a location and date stamp when we go to each scene. I didn’t like this idea and fought against it.” […]
Web Exclusives
‘Beetlejuice Beetlejuice’: Jay Prychidny on Editing in Tim Burton’s World
‘That was a huge lesson for me—realizing that audiences really don’t need everything spelled out.’ […]
Web Exclusives
‘Tell Me Lies’: Picture Editor Julie Cohen on Finding the Right Cuts for the Twisted Romance
“I do feel like I am an artist-editor, and I found my medium in college.” […]
Featured Stories
Celia Beasley on Finding the Right Edits for Netflix Wilderness Drama ‘Penelope’
By Patrick Z McGavin The French-American picture editor Celia Beasley is a rebel who likes to cut against […]
Featured Stories
Hit That Note: Sofía Subercaseaux on Editing Angelina Jolie in ‘Maria’
“You can’t do a movie about Maria Callas without using her real voice. It’s not like a rock or pop biopic where you can match the pitch.” […]
Web Exclusives
Cutting Through the Noise: How Toj Mora and Other Deaf Editors Are Giving Hollywood a New Lens
“People have a misconception about what Deafness is and are afraid to ask about it. Don’t assume that I can or cannot do something. Ask and I’ll tell you.” […]
