“When I read the script, I loved it—it was a thriller with something to say, offering a peek behind the curtain of this fascinating institution. I was immediately drawn in.” […]
“We did get a studio note saying that maybe, to avoid any confusion, we should put a location and date stamp when we go to each scene. I didn’t like this idea and fought against it.” […]
‘It’s a classic sports drama, but what makes it special are the place and the people.’ […]
By Patrick Z. McGavin The creative pairing of the London-born picture editor Louise Ford and the independent filmmaker […]
By Patrick Z McGavin The French-American picture editor Celia Beasley is a rebel who likes to cut against […]
“When Ridley comes to the cutting room he wants to be surprised and relieved and enjoy the experience of viewing the film with fresh eyes.” […]
“You can’t do a movie about Maria Callas without using her real voice. It’s not like a rock or pop biopic where you can match the pitch.” […]
By Rob Feld David Jancsó’s path to becoming a film editor seems both inevitable and serendipitous. Born and raised […]
“When the movie was originally described to me before I read the script, it sounded like it was almost going to be in a single shot.” […]
By Rob Feld Evan Henke has always had that fascination with a certain art form. “Ever since I was […]
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