Web Exclusives
He Loves L.A.: Dan Rovetto on His Editing Journey from Unscripted TV to ‘Suits LA’
By Kristin Marguerite Doidge Even though picture editor Dan Rovetto, ACE, grew up in New Jersey—and got his start […]
Picture Editors
Featured Stories
‘A Complete Unknown’: How Editors Andrew Buckland and Scott Morris Hit the Right Notes on Dylan Biopic
“The world changed so much in 1964 and ‘65. We acknowledge that, with the music, and what’s happening on the street.” […]
Featured Stories
ACE Eddies 2025: Paul Hirsch and Maysie Hoy Honored with Career Achievement Awards
By Kristin Marguerite Doidge Two legendary picture editors will be honored with Career Achievement Awards Friday on Jan. 18 […]
Featured Stories
‘Wicked’ Ways: How the Post Team Helped Bring the Musical to Life on the Screen
By Kristin Marguerite Doidge When making “Wicked,” the filmmakers wanted to be sure audiences saw — and heard — the […]
Web Exclusives
Nicole Brik On Editing the Twists and Turns in the Dark Comedy ‘No Good Deed’
“That first season, I barely saw her in the edit, and I thought, Am I doing this right?” […]
Web Exclusives
‘One of Them Days’: Editor Tia Nolan Unpacks All the Cuts in Lawrence Lamont’s Sleeper Hit
By Peter Tonguette Picture editor Tia Nolan, ACE, knows comedy. Nolan was introduced to the craft of cutting comedies […]
Book Reviews
Notes on Editing: Steve Hullfish Talks to Top Picture Editors in His Latest Book
By Peter Tonguette Interview books with filmmakers constitute a full-fledged literary subgenre, but among all of the one-on-one conversations that […]
Features
Jump Shot: Jessica Baclesse on Finding the Heart in Basketball Drama ‘Rez Ball’
‘It’s a classic sports drama, but what makes it special are the place and the people.’ […]
Web Exclusives
Modern Gothic: Louise Ford Talks Editing on Robert Eggers’ ‘Nosferatu’ Remake
By Patrick Z. McGavin The creative pairing of the London-born picture editor Louise Ford and the independent filmmaker […]
Web Exclusives
Swords and Avids: Claire Simpson and Sam Restivo Tell All on ‘Gladiator II’ Edits
“When Ridley comes to the cutting room he wants to be surprised and relieved and enjoy the experience of viewing the film with fresh eyes.” […]
