The biggest lesson is to listen. Really listen to what people are saying—whether it’s the director, the producer, or even the audience. You have to be open-minded about your work and not get defensive. […]
Happily, there’s gold to be found on nearly every page of this engaging book. […]
By Rob Feld For Jamie Kirkpatrick, ACE, the path to editing began in the Midwest, where, as an only […]
“Doug wanted to make what he called a ‘grounded popcorn action movie,'” said picture editor Doc Crotzer, ACE. […]
When the audience first meets the grifter Tom Ripley in the eponymous new limited series drama, “Ripley,” he’s dragging a dead body down a long flight of stairs in the dark: clunk, clunk, clunk. The sinister moment draws us in — and somehow, seemingly makes us complicit in the crime. […]
By Kristin Marguerite Doidge The human element of the hit Netflix sci-fi thriller, “3 Body Problem,” is what helped […]
By Rob Feld Amelia Allwarden’s journey into film editing began with a childhood fascination with storytelling. “Ever since I […]
By Patrick Z. McGavin Susana Benaim has built an impressively varied career. Upon arriving in Hollywood, the Venezuelan-born picture […]
The popular Netflix social media competition series was previously being shot and edited in the U.K., but recently came to the U.S. for seasons six and seven (the latter yet to be aired) under an IATSE contract – a huge win for the talented team of editors working on the show. […]
Goldenberg’s C.V. covers a long list of projects, ranging from big-budget actioners like “6 Underground” (2019) and Michael Bay’s “Transformers” films to quieter dramas like “Unbroken” (2014) and “Seabiscuit” (2003). […]
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