Doc Crotzer and Paul Hsu Tell the Post Secrets Behind the ‘Road House’ Remake
“Doug wanted to make what he called a ‘grounded popcorn action movie,'” said picture editor Doc Crotzer, ACE. […]
“Doug wanted to make what he called a ‘grounded popcorn action movie,'” said picture editor Doc Crotzer, ACE. […]
When the audience first meets the grifter Tom Ripley in the eponymous new limited series drama, “Ripley,” he’s dragging a dead body down a long flight of stairs in the dark: clunk, clunk, clunk. The sinister moment draws us in — and somehow, seemingly makes us complicit in the crime. […]
By Kristin Marguerite Doidge The human element of the hit Netflix sci-fi thriller, “3 Body Problem,” is what helped […]
By Rob Feld Amelia Allwarden’s journey into film editing began with a childhood fascination with storytelling. “Ever since I […]
By Patrick Z. McGavin Susana Benaim has built an impressively varied career. Upon arriving in Hollywood, the Venezuelan-born picture […]
The popular Netflix social media competition series was previously being shot and edited in the U.K., but recently came to the U.S. for seasons six and seven (the latter yet to be aired) under an IATSE contract – a huge win for the talented team of editors working on the show. […]
Goldenberg’s C.V. covers a long list of projects, ranging from big-budget actioners like “6 Underground” (2019) and Michael Bay’s “Transformers” films to quieter dramas like “Unbroken” (2014) and “Seabiscuit” (2003). […]
“The episodes really came together in the edit. The two of them made that process really fun from beginning to end by taking risks, trying things, and crafting moments that weren’t necessarily obvious on the page.”
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There was a small group of women who had exceptionally successful editing careers that started almost at the birth of cinema and continued for much of the 20th century. […]
“If you can keep an audience connected to the character and the story, and not lose them on pacing, then you’re doing your job well.” […]
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