
Putting the Puzzle Together: The Editing Journey of ‘Unfrosted’ Editor Evan Henke
By Rob Feld Evan Henke has always had that fascination with a certain art form. “Ever since I was […]
By Rob Feld Evan Henke has always had that fascination with a certain art form. “Ever since I was […]
‘That was a huge lesson for me—realizing that audiences really don’t need everything spelled out.’ […]
“I do feel like I am an artist-editor, and I found my medium in college.” […]
“People have a misconception about what Deafness is and are afraid to ask about it. Don’t assume that I can or cannot do something. Ask and I’ll tell you.” […]
The biggest lesson is to listen. Really listen to what people are saying—whether it’s the director, the producer, or even the audience. You have to be open-minded about your work and not get defensive. […]
Happily, there’s gold to be found on nearly every page of this engaging book. […]
By Rob Feld For Jamie Kirkpatrick, ACE, the path to editing began in the Midwest, where, as an only […]
“Doug wanted to make what he called a ‘grounded popcorn action movie,'” said picture editor Doc Crotzer, ACE. […]
When the audience first meets the grifter Tom Ripley in the eponymous new limited series drama, “Ripley,” he’s dragging a dead body down a long flight of stairs in the dark: clunk, clunk, clunk. The sinister moment draws us in — and somehow, seemingly makes us complicit in the crime. […]
By Kristin Marguerite Doidge The human element of the hit Netflix sci-fi thriller, “3 Body Problem,” is what helped […]
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