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How-To Advice from Award-Winning TV Editors
Cutting It in Hollywood: Top Film Editors Share Their Journeys by Mitchell Danton, ACE Introduction by Michael Kahn, ACE Hollywood […]
Cutting It in Hollywood: Top Film Editors Share Their Journeys by Mitchell Danton, ACE Introduction by Michael Kahn, ACE Hollywood […]
The editing career of Monty DeGraff has been in sync with some of television’s cultural icons. Mentoring younger editors has also become an important focus for him. […]
The pension benefits are truly remarkable, and should not be forgotten when we think of good reasons to help organize a non-union production company or post house. […]
In such conflicts, we must make a choice: Either stand together with our co-workers, or side with the employers out to undermine them. […]
‘Swamp People’s’ post crew has taught us something new about the leverage we have in post. […]
Connotations to the contrary notwithstanding, “flipping” ain’t easy. […]
The public’s demand for feature-quality music in everything from reality shows to full-hour TV dramas–has turned the production music market into a half-billion-dollar-a-year intellectual property based business. […]
Jay Wertz has created a lavish and richly detailed combination of words and pictures exploring every major event of what has often been called the first modern war. […]
Guild engineers are self-admitted gearheads who just plain love to fix things. […]
Watching movies and TV shows all day––and getting paid for it–– sounds like a dream job, but it’s serious work for quality control and videotape operators. Both are technical jobs, but the digital age has morphed them into a way more creative and challenging endeavor. […]
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