Web Exclusives
Amelia Allwarden: How Drive and an ACE Internship Led Her to a ‘Sunny’ Editing Career
By Rob Feld Amelia Allwarden’s journey into film editing began with a childhood fascination with storytelling. “Ever since I […]
Television
Web Exclusives
Susana Benaim Talks Editing Hulu’s Sports Drama ‘Clipped’
By Patrick Z. McGavin Susana Benaim has built an impressively varied career. Upon arriving in Hollywood, the Venezuelan-born picture […]
Web Exclusives
How the Post Team of Netflix’s Reality Competition Series ‘The Circle’ Pushed Boundaries of Time and Space
The popular Netflix social media competition series was previously being shot and edited in the U.K., but recently came to the U.S. for seasons six and seven (the latter yet to be aired) under an IATSE contract – a huge win for the talented team of editors working on the show. […]
Features
A Show Reborn: The Editors of ‘Chad’ on Finding the Funny in the Immigrant Dream
“The episodes really came together in the edit. The two of them made that process really fun from beginning to end by taking risks, trying things, and crafting moments that weren’t necessarily obvious on the page.”
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Cover Story
Sounds Funny: All the Sound-Team Secrets Behind ‘Only Murders In The Building’
Helping make the mystery—and the wit—come to life are supervising sound editors Mathew Waters and Danika Benton Wikke. […]
Features
Michael Minkler, Oscar-Winning Mixer, on Editing the Aerial War in ‘Masters of the Air’
By Kristin Marguerite Doidge The critically-acclaimed AppleTV+ series “Masters of the Air” features compelling performances from each of its […]
Web Exclusives
WHAT OUR MEMBERS DO: Payton Halbeisen, Assistant Editor
“The more I worked with her, the more I realized it’s possible to make a difference in post-production. She really encouraged me to cut as much as possible and saw the assistants as creative collaborators — which is rare among editors.” […]
Web Exclusives
‘The Jinx’ Redux: Picture Editor Shelby Siegel Recalls Finding the Audio That Sealed the Fate of Robert Durst
“Not every project will have a smoking gun, but you won’t find it if you’re not allowed to look.” […]
Web Exclusives
Franzis Müller Tells How She Tracked Down the Best Cuts in ‘Death and Other Details’
“I’m someone that likes to solve puzzles, or build Legos, that kind of king. The way I view editing is just having a lot of pieces together, with not necessarily a clear vision of what you want from start to finish, but you’re molding and building it for a while, and then you get to the final picture.” […]
Awards
2024 ACE Eddie Awards: ‘Holdovers,’ ‘Oppenheimer,’ ‘Taylor Swift: Eras,’ ‘The Bear’ and ‘Beef’
by Kristin Marguerite Doidge Sunday’s 74th Annual ACE Eddie Awards, presented by American Cinema Editors (ACE), brought together […]
