John Bloom on ‘Who’ll Stop the Rain?’

January 11, 2018

In the early 1960s, when he first met director Karel Reisz, editor John Bloom already knew his way around a cutting room. By then, the London-born editor had risen through the ranks as an assistant editor to cut several films solo. […]

Cinema Audio Society Announces CAS Awards Nominees

January 10, 2018

The Cinema Audio Society announced the nominees for the 54th Annual CAS Awards for Outstanding Achievement in Sound Mixing for 2017 in seven categories. “The CAS would like to congratulate all our nominees for their fine work in 2017″ […]

ACE Announces Eddie Awards Nominees

January 3, 2018

The American Cinema Editors (ACE) have announced nominations for the 68th Annual ACE Eddie Awards, recognizing outstanding editing in ten categories of film, television and documentaries. […]

What Our Members Do: Erin Rodman

January 1, 2018

I’ve been a bookworm since I was a child, and I distinctly remember telling my parents that there were two professions I wanted to pursue as an adult. […]

Shaping the ‘Detroit’ Sound:
Paul N.J. Ottosson

December 29, 2017

On July 23, 1967, a police raid on an unlicensed after-hours bar in Detroit precipitated five days of major racial violence. A half century later, director Kathryn Bigelow presented a vivid perspective on this uprising and its place in our social history in the film ‘Detroit.’ […]

MPEG 2018 BOARD ELECTION RESULTS

December 14, 2017

Congratulations to the newly elected or re-elected members of the Motion Picture Editors Guild’s 2018 Board of Directors. The election results were announced December 14. […]

Assessing the Media Landscape for Common Ground

December 11, 2017

“The Storytellers Dilemma: Overcoming the Challenges in the Media Age” is meant for everyone who works in the media industries, whether in content creation, post-production finance or distribution. […]

What Our Members Do: Marko Costanzo

December 1, 2017

“Foley artists create sounds in sync with actions seen on screen. We will make the footstep sounds for every character in a film, giving their steps the personality the actor portrays on camera.” […]

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