Oscar’s Favorite Sound Editors 2018

February 9, 2018

The Academy of Motion Picture Arts and Sciences’ list of nominees for the 2018 Oscars. In the sound editing category, nominations went to the teams behind ‘Baby Driver,’ ‘Blade Runner 2049,’ Dunkirk, ‘Star Wars: The Last Jedi’ […]

Oscar’s Favorite Re-Recording Mixers 2018

February 9, 2018

Once again, the Academy Awards nominees in the Best Sound Mixing category cover a wide cross section of offerings — from a hearing-challenged getaway driver to a family squabble across multiple dimensions […]

Oscar’s Favorite Picture Editors 2018

February 9, 2018

The 2018 Academy Award nominations for Best Achievement in Film Editing in 2017 focus on five distinctive approaches to movie storytelling, each with itsown effective rhythms and emotional tones. […]

What Do ‘Electric Dreams’ Sound Like?

February 8, 2018

“Our original idea for ‘Philip K. Dick’s Electric Dreams’ originated five years ago, when we discussed the idea of an anthology series of the author’s short stories with diverse points of view” […]

What Our Members Do: Dominick Tavella, CAS

January 31, 2018

In 2012, Sound One, the studio I was working at, abruptly closed (with one week’s notice!) and I had about four or five months of solid work lined up ready to start in three weeks or so. […]

John Bloom on ‘Who’ll Stop the Rain?’

January 11, 2018

In the early 1960s, when he first met director Karel Reisz, editor John Bloom already knew his way around a cutting room. By then, the London-born editor had risen through the ranks as an assistant editor to cut several films solo. […]

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