People seem to have the impression that I sit in a big office with millions of films which I loan out to interested borrowers… My actual job involves locating stock shots or establishing shots to include in various television shows and feature productions. […]
Of all his creations, ‘The Apartment’ is Billy Wilder’s most influential and greatest film. […]
Film combines all the art forms––drama, theatre, photography, dance, music, architecture––but editing is very special and specific to film. It was borne out of film; it didn’t exist before that. There’s no other art form like it. […]
By the time movies arrived, all the elements of the legend were in place—except for a cohesive plot line. […]
Warner Bros. released Sam Peckinpah’s The Wild Bunch, firing a warning shot to the older generation that they better change with the times or risk irrelevance. […]
Mixing teams work best when the chemistry is good, the working style is compatible and the size of the job calls for a team approach. […]
[Chris Innis’] presence in Jordan helped preserve the authenticity of the soldier’s point of view that was key to the success of The Hurt Locker, but the physical hardships were only part of the difficulties she faced. […]
The John Ford film proved just as inspirational, and true to the “This Land Is Your Land” philosophy of Guthrie. It is still considered one of the great works of art in international cinema. […]
“Hugh Hudson is a brilliant and underrated director, but very difficult to work with. He didn’t cooperate with the studios; he was cutting out the stuff they wanted in and vice versa.”-Anne V. Coates […]
“I try to cut every film I do with a fresh eye; I don’t go with a pattern or anything. I just read it, assimilate it and cut it.” – Anne V. Coates […]
©2016-2021 Motion Picture Editors Guild
