‘Apocalypse’ Then
Rex Ingram put what became MGM on the map, but ironically, the studio he helped to create was also his undoing. […]
Rex Ingram put what became MGM on the map, but ironically, the studio he helped to create was also his undoing. […]
Even though I grew up on black-and-white television, color became my way of life. […]
Gore Verbinski’s longtime collaborator, Australian editor Craig Wood, spoke with CineMontage to discuss how Verbinski’s live-action crew handled the challenges of animation. […]
Viewing the shower scene for the first time, I don’t think I was aware of its status as one of the most famous sequences in cinematic history. Little did I know that my fascination (and later my career) in editing would be traced back to this moment in time. […]
As the on-set, or reference editor, Viertel feels like he’s doing a service for the picture editor, to make sure he has all the resources mapped out the way he would want them. […]
Whether they selected films or not, the music editors voiced a range of opinions about whether an award for Best Music Editing was even a good idea. Their perspectives on the question provided some insights into the nature of their work. […]
“I had no other recourse but to go to work…or pretend to…” – Norman B. Schwartz […]
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