Viewing the shower scene for the first time, I don’t think I was aware of its status as one of the most famous sequences in cinematic history. Little did I know that my fascination (and later my career) in editing would be traced back to this moment in time. […]
As the on-set, or reference editor, Viertel feels like he’s doing a service for the picture editor, to make sure he has all the resources mapped out the way he would want them. […]
Whether they selected films or not, the music editors voiced a range of opinions about whether an award for Best Music Editing was even a good idea. Their perspectives on the question provided some insights into the nature of their work. […]
“I had no other recourse but to go to work…or pretend to…” – Norman B. Schwartz […]
We asked our erudite story analysts to weigh in on their favorites–– the films that left their mark, or ones that are revisited each year to mark the holiday season. […]
Although assistant editors do embrace the chance to learn more, the question becomes: How much work is too much per assistant? Does bringing this extra work in-house mean that an extra assistant is required? And what does the assistant lose—mentoring time, for example—by taking on these extra tasks? […]
‘Hollywood Jobs’ is packed with vital information for anyone seeking a career in the media industries. […]
I love movies and TV shows. I love watching them and I love making them. I always have, for as long as I can remember. My career as an editor would have been just about perfect if I could have slept my way to the top. Unfortunately, with my looks, I was destined for a more conventional approach. […]
If ever a single feature film illustrated the painstaking effort editors go through to bring disparate parts together to create a greater whole, David O. Russell’s The Fighter would be that film. […]
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