It was March 31, 1981. I was celebrating my second anniversary of becoming a union story analyst by watching the 53rd Academy Awards. The host was Johnny Carson and the field of films was perhaps the strongest it had been in decades. […]
CineMontage interviewed the two editors as they were finishing work on ‘The Hangover Part III.’ […]
With movie-going audiences expecting fully immersive visuals from 3D presentations, the sound post-production community is fast playing catch-up with immersive surround-sound systems. […]
There are no shortage of Huds in high places in our society today. […]
CineMontage caught up with the editors, and their first assistants Matthew Schmidt and John Dietrick, as they were finishing the film, which sees Stark/Iron Man pushed to his limit while battling the Mandarin (Ben Kingsley). […]
The idea of standing while sound editing had been in my mind for many years. My initial thoughts were that it would be too hard to be on my feet all day, and I didn’t really have any idea how to do it from a practical standpoint. […]
‘Swamp People’s’ post crew has taught us something new about the leverage we have in post. […]
It was the film serials, from the early days of cinema, that were the true forerunners of contemporary franchise pictures and tent-pole releases. […]
After my first editing exercise, I was hooked. Editing was how dreams were made! […]
“Before Sunrise was the second film I edited for Rick, and it was also the first film I ever cut on an Avid… I was confronted with the challenge of starting right in on the cut with Rick and learning to use the Avid at the same time. It was an interesting few weeks at first!” – Sandra Adair, A.C.E. […]
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