What Our Members Do
What Our Members Do: James Haley, Still Lab Technician
“In a billion years, the sun is going to burn out and every memory humanity holds will disappear into the void.”
Year: 2019
Web Exclusives
‘The Thrill Is the Idea:’ Paul Hirsch Reveals the Secrets Behind Editing ‘Star Wars,’ and Writing His New Memoir
“This is the most narcissistic thing a person could do.”
Features
How the Sound Team Made Those Engines Roar in Matt Damon and Christian Bale’s Race Car Movie ‘Ford v Ferrari’
“The cars became characters in their own right – big and bold and real.”
Features
How Kate Corbaley, Powerful Reader at MGM in the 1930s, Paved the Way for Today’s Hollywood Literary Scouts
“It all depended on how Kate Corbaley narrated the story.”
Features
Pregnant in Post? The Quandary Over Benefits Can Lead to Some Unexpected, and Costly, Hurdles
“Having children makes you gutsy,. You don’t put up with a lot of BS because you have a family to consider.”
Columns
How Emilio Fernández’s Classic ‘Enamorada’ Boosted Mexican Cinema
“It was possible to create a Mexican cinema with our own actors and our own stories, without having to photograph gringos.”
Guild
Election Results for 2020 Board Seats Bring Four New Members, and Sharon Smith Holley as Secretary
As Secretary, Diane Adler will be replaced by Sharon Smith Holley
Awards
How Marty Cohen, Recipient of MPEG’s 2019 Fellowship and Service Award, Became a Post-Production Giant
“I’m an editor at heart.”
Web Exclusives
Tom Fleischman and Sound Editors Eugene Gearty and Philip Stockton Reveal the Silent Secrets of ‘The Irishman’
“Marty is totally focused on telling the story.”
Web Exclusives
How Editor Anne McCabe Helped Create ‘A Beautiful Day in the Neighborhood’ with Tom Hanks
“The cutting room is a place where you can take time to look at, and think about, what is the crux of the movie and what is really going on here?”
