What Our Members Do
What Our Members Do: James Haley, Still Lab Technician
“In a billion years, the sun is going to burn out and every memory humanity holds will disappear into the void.” […]
Year: 2019
Web Exclusives
‘The Thrill Is the Idea:’ Paul Hirsch Reveals the Secrets Behind Editing ‘Star Wars,’ and Writing His New Memoir
“This is the most narcissistic thing a person could do.” […]
Features
How the Sound Team Made Those Engines Roar in Matt Damon and Christian Bale’s Race Car Movie ‘Ford v Ferrari’
“The cars became characters in their own right – big and bold and real.” […]
Features
How Kate Corbaley, Powerful Reader at MGM in the 1930s, Paved the Way for Today’s Hollywood Literary Scouts
“It all depended on how Kate Corbaley narrated the story.” […]
Features
Pregnant in Post? The Quandary Over Benefits Can Lead to Some Unexpected, and Costly, Hurdles
“Having children makes you gutsy,. You don’t put up with a lot of BS because you have a family to consider.” […]
Columns
How Emilio Fernández’s Classic ‘Enamorada’ Boosted Mexican Cinema
“It was possible to create a Mexican cinema with our own actors and our own stories, without having to photograph gringos.” […]
Guild
Election Results for 2020 Board Seats Bring Four New Members, and Sharon Smith Holley as Secretary
As Secretary, Diane Adler will be replaced by Sharon Smith Holley […]
Awards
How Marty Cohen, Recipient of MPEG’s 2019 Fellowship and Service Award, Became a Post-Production Giant
“I’m an editor at heart.” […]
Web Exclusives
Tom Fleischman and Sound Editors Eugene Gearty and Philip Stockton Reveal the Silent Secrets of ‘The Irishman’
“Marty is totally focused on telling the story.” […]
Web Exclusives
How Editor Anne McCabe Helped Create ‘A Beautiful Day in the Neighborhood’ with Tom Hanks
“The cutting room is a place where you can take time to look at, and think about, what is the crux of the movie and what is really going on here?” […]
