Here we are again at the height of Awards Season, which culminates Sunday, February 24 with the 91st Academy Awards, the legacy awards show. Most Guild members will be watching the telecast at home or at Oscar parties, aside from those lucky few who received nominations in the Achievement in Film Editing, Sound Editing and Sound Mixing categories and will be watching the proceedings nervously from their seats at the Dolby Theatre in Hollywood. […]
Gregg Rudloff was a true friend and colleague of both Local 700 and me personally. He cut a wide path through post-production, working with many people. Everywhere he went, he made friends. […]
“In its mandate to shorten the Academy Awards’ telecast, the Academy has insulted all of us who work ‘below the line,'” writes MPEG president Alan Heim. “Many of our members and those of other IATSE Locals are understandably upset.” […]
At the BAFTA (British Academy of Film and Television Arts) Awards at Royal Albert Hall in London on February 10, an award was given to a Picture Editor and a combined award for Sound, including Production Sound Mixing, Sound Editing and Sound Mixing. […]
This year, for the first time since the Academy started giving an Oscar for Best Editing in 1934, all five editors were nominated for their work on movies based on actual events, with casts largely portraying historical figures. Two of the […]
As on previous occasions, the 91st Academy Awards nominees in the Best Sound Editing category covered a number of noteworthy narratives, from the hidden but advanced kingdom of Wakanda, through a biopic of a 1970s rock ensemble […]
At the 2019 Oscars, the nominees in the Sound Mixing category have worked on a wide variety of movie genres, from the super-heroes of ‘Black Panther’ to the Oscar-nominated Rami Malek’s turn at stadium rock with the band Queen in […]
Guillermo del Toro on the passionate collaboration of the director and the editor. […]
‘Bohemian Rhapsody’ (edited by John Ottman, ACE) and ‘The Favourite’ (edited by Yorgos Mavropsaridis, ACE) won Best Edited Feature Film (Dramatic) and Best Edited Feature Film (Comedy) respectively at the 69th Annual ACE Eddie Awards on February 1. […]
“I discovered audio post while in school for audio engineering. Having always loved film, it seemed like a perfect fit artistically and, to be honest, a good way to make a living.” […]
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