
Shoot, Then Rewrite: New Book Explores How Editors Can Help Make Documentaries Soar
By Roger Nygard After a screening of “The Great Buster” (2018), a documentary about silent-film star Buster Keaton, director […]
By Roger Nygard After a screening of “The Great Buster” (2018), a documentary about silent-film star Buster Keaton, director […]
When “talking pictures” took over in the early 1930s, Dorothy Parker was one of the many writers recruited by film studios to meet the needs of sound. […]
‘It’s a classic sports drama, but what makes it special are the place and the people.’ […]
African American Steering Committee this year would like to take note of some of its rich history featuring notable creatives, […]
By Patrick Z. McGavin The creative pairing of the London-born picture editor Louise Ford and the independent filmmaker […]
By Cathy Repola There are times when words are inadequate. This is one of those times, as I struggle to […]
“When Ridley comes to the cutting room he wants to be surprised and relieved and enjoy the experience of viewing the film with fresh eyes.” […]
“We are definitely not back to the pre-strike era, and I don’t think we will ever get back to that point.” […]
“There’s been a lot of hype about AI, but it is moving faster than anyone had guessed.” […]
“I did not come to Los Angeles to pursue editing; I initially wanted to be a comedy writer.” […]
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