Cover Story
Reel Wellness: In a Time of Industry Turmoil, Post Veterans Need Time Out for Fitness
‘I know first-hand how badly editors need to keep moving.’ […]
Cover Story
Cover Story
Sounds Funny: All the Sound-Team Secrets Behind ‘Only Murders In The Building’
Helping make the mystery—and the wit—come to life are supervising sound editors Mathew Waters and Danika Benton Wikke. […]
Cover Story
Jedi Masters: Editors of ‘Ahsoka’ Raise Their Lightsabers to the Latest Chapter of ‘Star Wars’ Mythology
“I’ve watched the ‘Star Wars’ films in the past and recognize the famous characters, but didn’t know much beyond that. So coming into this big galaxy was both exciting and new to me.” […]
Behind the Scenes
How Jennifer Lame and the Post Team Helped Turn ‘Oppenheimer’ Into an Epic Smash
Working with film took Lame back to the dawn of her career. Lame noted that most editors her age and younger have worked only in the digital world, so the film workflow may not be familiar to them. “My first job was working on a film movie, ‘Before the Devil Knows You’re Dead.’ That was shot on film, the dailies were screened on film – everything. I feel lucky to have had that early opportunity to work with film.” […]
Cover Story
From ‘Renfield’ to ‘Perry Mason’: The Creative Journeys of Editor Mako Kamitsuna
‘It’s all about making this movie fly, transform and transport audiences.’ […]
Cover Story
Reality Check: New Unscripted Workers Peer Group Boosts Connection and Support
“Our events have been a great way for us to increase engagement with our membership as well as reach people who aren’t yet in the union and still have questions.” […]
Cover Story
Hollywood ‘Babylon’: How the Post-Production Team Brought the 1920s Back to Life
“It may be the hardest movie I’ve ever worked on.” […]
Cover Story
High Crimes: How the Editing Team Resurrected the Drama of Watergate in ‘Gaslit’
How the Editing Team Resurrected Watergate in ‘Gaslit […]
Cover Story
How the Post-Production Team for ‘Hawkeye,’ the Latest Marvel Epic, Hit the Target
For those who work in post-production, the long hours spent poring over dailies, collaborating with directors and producers, and making scenes just so are rewarded when audiences respond appreciatively. […]
Cover Story
Michael Kahn and Sarah Broshar Sing of the Joys of Editing ‘West Side Story’
How Michael Kahn and Sarah Broshar Edited Steven Spielberg’s ‘West Side Story’ […]
