‘We’re All Storytellers’: Women’s Steering Committee Teams with WGA to Build Bridges in Post
More than 180 people attended in person at the WGAW headquarters in Los Angeles and online via Zoom. […]
More than 180 people attended in person at the WGAW headquarters in Los Angeles and online via Zoom. […]
‘That was a huge lesson for me—realizing that audiences really don’t need everything spelled out.’ […]
By Kristin Marguerite Doidge If there’s one message Local 700’s “Labor-to-the-Polls” workgroup would like to send out to its […]
“People have a misconception about what Deafness is and are afraid to ask about it. Don’t assume that I can or cannot do something. Ask and I’ll tell you.” […]
“I do feel like I am an artist-editor, and I found my medium in college.” […]
‘I know first-hand how badly editors need to keep moving.’ […]
“It can be scary to think about the state of the industry and the livelihood of the professionals in it, but my instinct has always been to lean on the community and to have solidarity in the face of that uncertainty.” […]
The biggest lesson is to listen. Really listen to what people are saying—whether it’s the director, the producer, or even the audience. You have to be open-minded about your work and not get defensive. […]
“One of the things we had to adapt very early on is the communication in the form of notes from Michael.” […]
“The Holdovers,” set over Christmas vacation in 1970 at a New England boarding school for boys, is the bittersweet portrait of complicated relationships among a grumpy teacher with a troubled past (Paul Giamatti), his callow student (Dominic Sessa) and a long-suffering dining-hall cook (Da’Vine Joy Randolph). Tent talked about editing for tone, tempo and rhythm, as well as his efforts on behalf of picture editors as the president of ACE. […]
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