Hit That Note: Sofía Subercaseaux on Editing Angelina Jolie in ‘Maria’
“You can’t do a movie about Maria Callas without using her real voice. It’s not like a rock or pop biopic where you can match the pitch.” […]
“You can’t do a movie about Maria Callas without using her real voice. It’s not like a rock or pop biopic where you can match the pitch.” […]
“When the movie was originally described to me before I read the script, it sounded like it was almost going to be in a single shot.” […]
“My main advice is to form bonds with your colleagues and mentors. Ask questions, stay in touch, and be vulnerable.” […]
By Rob Feld Evan Henke has always had that fascination with a certain art form. “Ever since I was […]
More than 180 people attended in person at the WGAW headquarters in Los Angeles and online via Zoom. […]
‘That was a huge lesson for me—realizing that audiences really don’t need everything spelled out.’ […]
By Kristin Marguerite Doidge If there’s one message Local 700’s “Labor-to-the-Polls” workgroup would like to send out to its […]
“I do feel like I am an artist-editor, and I found my medium in college.” […]
‘I know first-hand how badly editors need to keep moving.’ […]
“One of the things we had to adapt very early on is the communication in the form of notes from Michael.” […]
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