Featured Stories
‘I Made Him Watch It’: Robert Nassau Explains the Edits on ‘A Real Pain’
“After the first day of shooting in Poland, Jesse called me in a panic, saying, ‘I can’t watch myself—I’m terrible. Everything’s terrible.'” […]
Featured Stories
Featured Stories
He Loves L.A.: Dan Rovetto on His Editing Journey from Unscripted TV to ‘Suits LA’
By Kristin Marguerite Doidge Even though picture editor Dan Rovetto, ACE, grew up in New Jersey—and got his start […]
Featured Stories
The Beat Goes On: Jillinda Palmer on the Joys and Challenges of Music Editing
By Kristin Marguerite Doidge Film music should be felt and not necessarily heard. That’s one of the central tenets music […]
Featured Stories
SCOTT GEORGE: Stronger Together: A Vision for Our Union’s Future
Now is the time to go on the offensive. […]
Featured Stories
Nicole Brik On Editing the Twists and Turns in the Dark Comedy ‘No Good Deed’
“That first season, I barely saw her in the edit, and I thought, Am I doing this right?” […]
Featured Stories
‘One of Them Days’: Editor Tia Nolan Unpacks All the Cuts in Lawrence Lamont’s Sleeper Hit
By Peter Tonguette Picture editor Tia Nolan, ACE, knows comedy. Nolan was introduced to the craft of cutting comedies […]
Featured Stories
WHAT OUR MEMBERS DO: Warren Hickman, Visual Effects Editor
“The visual effects editor is a conduit between the editorial and visual effects departments. We need to identify and track all visual effects in the film from inception to completion.” […]
Featured Stories
Jump Shot: Jessica Baclesse on Finding the Heart in Basketball Drama ‘Rez Ball’
‘It’s a classic sports drama, but what makes it special are the place and the people.’ […]
Featured Stories
Modern Gothic: Louise Ford Talks Editing on Robert Eggers’ ‘Nosferatu’ Remake
By Patrick Z. McGavin The creative pairing of the London-born picture editor Louise Ford and the independent filmmaker […]
Behind the Scenes
How the Post Team of ‘Ferrari’ Worked Together to Bring an Auto Epic to Life
“One of the things we had to adapt very early on is the communication in the form of notes from Michael.” […]
