Features
Taking Action in Tahoe: MPEG Delegates Gather for IATSE District 2 Convention
by A.J. Catoline As they set out from Los Angeles to the annual IATSE convention in Lake Tahoe, the elected […]
Features
Features
Epic Sounds: How the ‘Shōgun’ Team Captured the Elegance of 17th Century Feudal Japan
“Everything about this series strived to be authentic.” […]
Features
Help Is Here: A New Hardship Fund Is Aimed at Local 700 Members In Need
Tthe Board of Directors overwhelmingly approved in September the creation of the Local 700 Hardship Relief Fund, which is specifically intended to help Guild members who are struggling financially because of the industry’s recent downturn. […]
Features
O Pioneers! These Picture Editors Led the Way for Women in Post-Production During the Golden Years of the Studio System
There was a small group of women who had exceptionally successful editing careers that started almost at the birth of cinema and continued for much of the 20th century. […]
Features
CATHY’S COLUMN: In Difficult Times, Solidarity Matters More Than Ever
We have a lot of issues on the table, including wage increases, pension and health contributions, residuals, AI protections, and more. […]
Features
Just Kidding: A Generation Later, ‘Parenthood’ Still Brings It All Back Home
Though we GenXers might look back on our favorite ’80s films with some chagrin, “Parenthood” (1989) holds up. […]
Features
WHAT OUR MEMBERS DO: Jessey Drake, MPSE, Sound Editor
“I would love to do some immersive-type sound design or sound editorial for a Disney attraction. That’s been a lifelong dream of mine.”
[…]
Features
Carol’s Colleagues: Some Words from Her Admirers
A compilation of praises and memorable stories for award winning editor Carol Littleton. […]
Features
WHAT OUR MEMBERS DO: Ian Chase, Sound Editor/Re-Recording Mixer
Where are you currently employed? I work as a freelance sound editor and re-recording mixer in Burbank, Calif., but for […]
Features
In ‘American Fiction’, Picture Editor Hilda Rasula Made the Most of a Commanding Lead Performance
“It is a performance-driven film so there’s nothing to hide behind.” […]
